The Spread Of Qin Opera In Qing Dynasty

The spread of Qin Opera in Qing Dynasty has a wide population base and the soil of folk culture.but at the same time.it also has factors that are not conducive to long-term dissemination.The area of Shaanxi,Gansu and Shanxi can be regarded as the original area of Qin Opera,which was formed in the late Ming Dynasty is a more reliable conclusion.Its main activity areas include,but are not limited to Tongzhou,Shaanxi Province and its surrounding area,now Dali in the eastern part of Shaanxi Province。For a long time,the title of "Bangzi Cavity"only refers to a form of sound,not Independent,mature drama,it is similar to the meaning of "Western tune"and"QinSheng",or only a new collection of children under the concept of "Western tune"and" Qin Sheng" and Qin Di "Bangzi Cavity "as a native "random play" type attracted the attention of scholars it actually began after the middle of Kangxi。Therefore,it can be regarded as the real formation time of Qin Opera from the period before and after the apocalypse in the late Ming Dynasty to the early stage of Kangxi’s Qin Opera。The propagation process of Qin cavity in Qing Dynasty can be divided into two periods:early period from Kangxi to Jiaging,early period from the end of Qjanlong Jiaging as the peak,referred to as Qianjia Qin cavity,late period from Daoguang to Xuantong.Tongzhi,Guang Xu period as the peak,referred to as Tongguang Qin cavity.Qianjia Qin Opera is mainly spread along Shuilu and Shang Lu,with Beijing as the center in the north and Yangzhou as the center in the south In addition to the performance center,Qin Opera is spread by the flow of actors,with a wide range,with Shaanxi as the center,east to Shandong,north to Zhili,south to Jiangnan,Liangguang,Jiangxi,Fujian,Zhejiang,Sichuan and Yungui.In addition,the "Western Qin Opera" in Qianjia period should be the appellation of the northwest opera in Jiangnan area,and it was also regarded as the synonym of Gansu Qin Opera in the late Qing Dynasty.From the point of view of the propagation of Qin cavity,this paper tends to think that "Western Qin cavity"should be a noun describing Qin cavity in Shaanxi and west of Longdong,aiming to emphasize the internal difference between this kind of Qin cavity and Shaanxi Qin cavity,except that the word "Western"is only relative position,perhaps also indudes Sichuan area,but only makes conjecture。In addition to ordinary commercial roads and waterways,there are also routes that follow the movement of people The meaning is not only Qin Opera in Shaanxi-Gansu region,but also Qin Opera in Shanxi and Zhili.But with today other kinds of Bangzi opera,the relationship is slightly estranged,mostly due to the existence or evolution of Shaanxi-Ganst Bangzi cavity in the process of transmission。In the process of dissemination,Qin cavity left a large number of performance records,can be corresponding in the stage cultural relics,classics.In addition,there are only hundreds of Qin Opera plays that can be tested,which are generally accepted as 24 motif.After analysis,it is found that some motif appears frequently(such as rescue),while some modernity motif appears rarely(such as negligence),which reflects both the need of folk aesthetics and the monotonicity of Qin Opera script.