| This dissertation described the meaning ascribed to the traditional dance and shout practices in a Pentecostal church as perceived by five female church-goers who attend Old Path Miracle Cathedral Church of God in Christ in Vallejo, CA. including a broader historical background useful for understanding the practice. The history of shout and dance in the United States has roots dating from the time of black enslavement and experiences during the Civil War, the era of the Emancipation Proclamation, and the post-slavery years leading to the birth of the Pentecostal Church in the 20th century. Music and dance transcend the centuries, and to this day remain important parts of the religious and spiritual tradition of African-Americans. The five participants in this study were interviewed in an open-ended format in which they responded to 13 general questions. The findings of this dissertation show the important place of this practice in the lives of these women; the shout and dance is still a powerful spiritual aspect of their lives. They treat the shout and dance as their first love, and as their first spiritual experience. It has substantial meaning in their lives and they continue to participate in the call and response. Regardless of their physical limitations, some of them still stand up, clap their hands, stomp their feet, and say "Amen," "Praise the Lord," and "Hallelujah." The level of engagement attests to the depth of their experiences. They appreciate the ecstatic experience as a continuing expression of their faith. |
