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A room of her own: Identity and the politics of space in contemporary Black women's fiction

Posted on:2013-09-13Degree:Ph.DType:Dissertation
University:The Florida State UniversityCandidate:Bryant, Ceron LFull Text:PDF
GTID:1455390008985116Subject:African American Studies
Abstract/Summary:
Toni Morrison, Paule Marshall, Sherley Anne Williams, and Gayle Jones are contemporary African American women novelists who are keenly aware of and genuinely concerned with Black women and their ability to define themselves. The authors know that Black women live very complex lives and that Black women have been historically removed from that process. Subsequently, their texts enlighten readers about Black women's desire for their own space, a place of refuge fled to by Black women in order to combat the social politics that lead to oppression. Their texts depict and speak to a relatively broad range of Black women's forms of objectification.;Sula, Praisesong for the Widow, Dessa Rose, and Corregidora share similar concerns: How does the Black woman respond to an oppressive and patriarchal society? What anti-patriarchal practices are used to combat this oppression? What are some of the specific agents used by Black women implemented to maintain a defined Space? Is obvious accessibility the only reason folklore and vernacular speech are used as a means of self-definition? While many critics and scholars have identified the importance of Black women escaping oppression and objectification, what remains is a more in-depth analysis of the methods involved as the Black women work to define themselves in their own sovereign Space.
Keywords/Search Tags:Women, Space, Own
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