Benzhu Worshin:The Study Of The Art And Ritual

Bai Minority,in the long historical process,have created splendid culture and art,Benzhu worship is a kind of distinctive local characteristics,as the practice of belief-benzhu worship ceremony are the attention of experts both at home and abroad.In this paper,the author expounded on the basis of fieldwork in depth the demonstration of hanyi village,a typical benzhu worship process,from the horizontal and vertical two levels of graphically construct the hanyi village benzhu worship model,for the ceremony with the meaning of life practice level.Using the overall concept of ethnology and anthropology of benzhu worship for integrated research methods such as interpretation and explanation;Art anthropology and minority art related knowledge,using history and logic study,altogether with generality and the individuality study over a period of deductive,combining the dynamic study on the art of benzhu worship.The core of the paper lies in the village of hanyi village,for example,respectively from the two independent ceremony and art level,and then to the perspective of "mixed complementarity" in-depth benzhu worship culture,the following conclusions are:as a ritual,through ceremony performance,benzhu worship shows survival wisdom;Ritual performance and artistic performance constitutes the spiritual life of the village space and the basic cultural value system and a set of complete system and meaning of life,namely its owner or local knowledge system;as art,through myths collocation,Benzhu worship constructs the bai people’s ethnic identity,national identity and the meaning of life world;Entertainment gods link of art performance in the context of the ceremony,can be considered a separate existence,filled with folk art forms,artistic element contains the bai people’s aesthetic awareness;As the change of social development and national context,benzhu worship art also inevitably takes new changes.Besides "introduction",this paper include five parts:the demonstration of benzhu worship ceremony process and introducing the hanyi village patterning of benzhu worship".From the perspective of ritual,respectively from the elements of benzhu worship,structure and symbolic expression,time and space structure,exchange relationship building,hierarchical structure,the transition of the social and cultural functions of ceremony for five aspects such as the horizontal and vertical interpretation and analysis.The third chapter to the philosophy as the vision,functions as the analytical,it is concluded that aesthetic cultural symbiosis of benzhu worship and art this conclusion.The fourth chapter is the benzhu worship as a comprehensive art,performances and myths and legends,for specific carrier,pay attention to art generated by the specific cultural context and social situation,pay attention to the combination of the diachronic and sex,the ritual of"art" and "ritualized art",and from two aspects of emotional expression and aesthetic experience of"ceremony complements the intermixing of art" point of view for analysis.The fifth chapter is the core for subject do a directional prediction:in the evolution trend of the development of benzhu worship ritual and art.