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Research On Shen Qi(??) Theory

Posted on:2020-02-03Degree:DoctorType:Dissertation
Country:ChinaCandidate:P P SunFull Text:PDF
GTID:1485305882488434Subject:Chinese Language and Literature
Abstract/Summary:PDF Full Text Request
In ancient Chinese literature and art theory,“Shen Qi”(??)not only refers to the spiritual noumenon and life spirit,but also the artistic character and appearance character.For the former,“Shen Qi”is both material and spiritual.For the latter,“Shen Qi”is both philosophical and artistic.It shows the spiritual character,aesthetic psychology and thinking characteristics of ancient Chinese in the double form of abstract and concrete.“Shen”“Qi”contains the spiritual orthodoxy of ancient,unifying the will of the universe and the spirit of life,showing stages,relevance and integrity of the semantic features.In the exploration stage of philosophical origin,the law of material and spirit is grasped.The logic of language and thinking is considered in the summary stage of the artistic characteristics.The rational and perceptual experience is deduced in the subdivision of aesthetic psychology.The formation and development of“Shen Qi”theory,reflects people deepen the knowledge of law for the creation and aesthetic experience,recreates the Chinese literary theory at the origin that is reached to an aesthetic concept of free circulation and never ceasing.With the turn of“Shen Qi”,this concept has changed from high-level concept to secondary concept,from overall proposition to partial proposition,from core discourse to marginal discourse,and its narrative power,interpretative power and discourse power have been dispelled in varying degrees.It is for this reason that the study of“Shen Qi”facing language dilemma and structural difficulties,lacking of overall consideration and systematic thinking,and its cultural spirit and ideological tradition need to be further explored.In the introduction part,according to the concept of “key words criticism”,from the “great ideas”,“original category” and “great vision” point of view,discusses the traditional culture with the word “Shen Qi” in the Chinese literary theory,and determine the research object of this article and research significance.From the two perspectives of “research as the category of literary theory” and “research as the interdisciplinary terminology”,restore the meaning sharing and semantic relevance of “Shen” “Qi” and make a comment on the current research situation.Summarize the research ideas from the perspectives of history of ideas,history of thoughts and academic history,and summarize the key points and difficulties solved.The first chapter studies studies the aesthetic occurrence of the theory of “Shen Qi”,focusing on the context of creation,the opportunity of change and the mechanism of evolution,involving conceptual infiltration,path transformation and spiritual publicity.According to the natural “Yuan Qi” theory,the character evaluation,the theory of music aesthetics,discusses the aesthetic creation context of “Shen Qi” theory.Based on the atmosphere of “the differentiation of being and nought”,“the differentiation of form and spirit” and “the differentiation of language and meaning”,trace the aesthetic consciousness triggered by “Shen Qi”.Focusing on the aesthetic problems such as cultivate “Shen” and get “Qi”,keep “Qi” static and “Shen” far,from “Qi” to the end of “Shen”,deduces the aesthetic logic of the theory of “Shen Qi”,investigates the aesthetic character of the theory,and systematically reveals the aesthetic turn of “Shen Qi”.The second chapter the historical features of the theory of “Shen Qi”,focusing on knowledge context,conceptual genealogy and theoretical configuration,involving the semantic change,style and form and meaning of the joint.According to the evolution of the theory of “Shen Qi”,reviewing the knowledge of “Shen Qi” from the aspects of primary stage,along stage,regeneration stage.According to the dynamic combination,summarizes the concept of classical theory of “Shen Qi”,and research on the form in the “shape the form of Shen”,“shape the form of Qi” and “the theory of harmonization”.According to the theoretical perspective,from the “full of vitality and vitality”,“key of inspiration and creation” and “path of essence and intensive”,analyze the theoretical configuration of “Shen Qi”.The third chapter studies the ideal paradigm of the theory of “Shen Qi”,focusing on the generative significance,interpretative appearance and thinking characteristics,involving essential characteristics,aesthetic characteristics and life characteristics.The theory of “Shen Qi” cannot be discussed separately,this mode of thinking is based on the correspondence of “Qi”,and the correspondence of “Shen”,the correspondence between mind and object.“Shen Qi” provides an aesthetic paradigm of representational characteristics,ontological characteristics and spiritual characteristics,which shapes the aesthetic tastes,ideas and ideals of the ancients.As an interpretive paradigm,the theory of “Shen Qi” is not only to inquire into the origin of the universe,but also to reveal the essence of life,and to speak the essence of spirit.The fourth chapter studies the modern condition of the theory of “Shen Qi”,focusing on discourse form,ideological tradition and cultural spirit,involving practical thinking,cognitive consciousness and value concept.It reveals the language dilemma of “Shen Qi” in terms of the weakening of language power,semantic distortion and pragmatic deviation.According to the internal relation of “Shen” and “Qi”,from the strengthening of “Qi” mainly,the entanglement of “Shen” mainly,and the forgetting of harmony,discusses the problems in the structure of “Shen Qi”,and constructs the discourse form of “Shen Qi”.In the process of respecting “Shen” “Qi”,the value orientation of “Shen Qi” theory is the pursuit of natural artistic conception,the value order of keeping harmony and the experience reserve of inside and outside.The conclusion is based on the overall observation and systematic thinking of the theory of “Shen Qi”.There is not only the dimension of moral cultivation,but also the dimension of knowledge pursuit;There is both the dimension of instrumental rationality and the dimension of value rationality.This proposition has not only the understanding of the relationship between heaven,earth and man,but also the understanding of the relationship between nature,fate and heart,as well as the understanding of the relationship between truth,factors and feeling.The theory of “Shen Qi” is not only a kind of aesthetic consciousness,but also an aesthetic interest and an aesthetic ability.
Keywords/Search Tags:Shen Qi, Aesthetic Occurrence, Historical Form, Ideal Paradigm, Modern Condition
PDF Full Text Request
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