Yan'an Literature And Art In The View Of The World

Yan’an literature and art in the world vision has opened a new stage in literary exchange and creative practice.During the Yan’an period,the works of art in the fields of drama,film,painting,and music opened up the Yan’an literary form and carried the Yan’an cultural spirit,forming a new direction for diversified local art resources to spread to the world;in addition to the two-way translation behavior of literary entities,the Yan’an period extended the new path of "foreign writings on Yan’an" in the form of"literary travel" or "observation notes";since the mid-1940s,Ding Ling,Zhao Shuli,Zhou Libo and other literary works of Yan’an writers have gained widespread communication and considerable achievements in the field of foreign academic circles,and have entered a new upsurge in external export and extraterritorial research.Therefore,we can say that for the first time in the Yan’an period,a new course of two-way,pluralistic and equal literary exchanges and dialogues between Chinese literature and world literature was opened.Nowadays,it is necessary to properly clean up,rethink and respond effectively to the study of Yan’an literary form in the world literature.In the interaction and convergence of culture and literature,it is time to restart the study of Yan’an literature and art across time and space,with a view to contributing to the discourse resources of contemporary Chinese literature.This article is presented in’introduction’、,six chapters of the main text,"conclusion".respectively discussing "the communication and research results of Yan’an literature and art in the world","the spread and research of Yan’an art in the world","foreign writers in Yan’an","Ding Ling from Yan’an to the world"."foreign research of important Yan’an writers" and"rethinking and responding to the foreign research of Yan’an literature and art".The first chapter gives an overview of the rich literary achievements of the Yan’an period in the field of world communication and research.It generally clarifies the world cormunication process.characteristics and problems of Yan’an literature and art.The field outside the academic area involves two aspects:translation and communication and commentary research.Combining the time dimension and the spatial dimension,based on detailed literature materials、systematically sorting,summarizing and briefing on the dissemination and research of Yan’an literature and art in the world.The second chapter is about the diversified artistic achievements in the Yan’an period.It focus on the dissemination and research of the four major fields of drama,film,painting and music in the world.It traces the development of various art fields since modern times and the works of Yan’an art.Selecting the typical achievements of various art categories in Yan’an as the core content of extraterritorial research,such as"White-haired Girl" in the form of opera and film,Yai’an woodcut,"Yellow River Chorus",trying to explore the new resources brought by Yan’an art to the world.The third chapter is about the Yan’an texts created by a large number of foreign writers who came to Yan’an in the 1930s and 1940s,and the Yan’an spirit touched and consciously spread.The basic clues of time and space are used to discourse Yan’an literature outside the domain,discussing the narrative theme and aesthetic meaning contained in it.Through the Yan’an narrative of the foreign observers,the deep influence of Yan’an spirit on their literary and world view is reflected,which refracted the cultural identity and cultural self-confidence of the Chinese Communist Party.The fourth chapter,because of Ding Ling research in the foreign academics field has achieved rich results,extraterritorial research on Ding Ling’s works is regarded as a typical case of re-study,respectively discusses the "authenticity problem","bipolar fracture theory" and "emotional research problem";focus on the new findings of 1-tsi Mei Fewerwerker’s research such as the ideology writirg and metaphorical writing in Ding Ling’s works;in addition,from the perspective of female literature research,writer biography research and humanistic psychology research,trying to explore a new research in the field of Ding Ling works research.The fifth chapter discusses the research results of Zhao Shuli and Zhou Libo.the important writers in Yan’an.Analyses Zhao Shuli from the perspective of Japanese"People’s Literature,and the complex situation of-Yan’an literature and art research in Japan;and observes Zhao Shull’s literary attitude in the "voice media" communication mode and;cultural self-confidence".Zhou Libo’s research in the foreign field presents different evaluation trends,discussing about the complex relationship between peasant language and peasant consciousness,and strengthened the author’s subjective extension in the works.The sixth chapter further reflects and responds to the foreign research on Yan’an literature and art from the theoretical level,and discusses the theoretical resources brought by the "return-type" literary tradition and the literary "lyric tradition" to the Yan’an literature and art;the "imbalance between art production and material production",and the "modernity problem" on Yan’an literature and art,analyses the dilemma of foreign research on Yan’an literature and art;finally,reflects the typical argument of "political and literary binary separation",discourses the concept of"sublime" in literature creation and the author inage,reveals the complexity of the Yan’an writers dedicated to the revolution,and their self-sublimation in the course of revolution,reconstructs the positive spiritual rebirth and cultural reconstruction value brought by Yan’an literature and art.In short,for the re-study of foreign research on Yan’an literature and art,it is necessary to use relational research as a premise,dialectically understanding the theoretical attempts and thinking lilitations of foreign researchers,and rethinking the inevitable connection between the "political discourse" and the Yan’an literature and art in the academic circles,freeing from the unique background of "political discourse",discovering the revolutionary cultural resources and modernity tension provided by Yan’an literature and art for Chinese literature in the 20th century.