Study On Image Communication From Strange Tales Of LiaoZhai

As the peak of classical Chinese novels in ancient China,the artistic creations based on Strange Tales of Liaozhai have been rich in content and varied in forms for hundreds of years.At present,the presentation of film and television media is the most abundant.Film and television media are characterized by rapidness,entertainment and simplicity.From the novel Of Strange Tales from Liaozhai to the re-created film and television plays,the complex relationship between literature and film and television media is demonstrated.Among them,the achievements of literary works support the space of image presentation,and the law of image expression also expands the influence of literature background.It can be said that the film and TV series re-created based on the novel Strange Tales of Liaozhai adapts the original work from various angles and degrees,and is also meaningful.The paper discusses from the following aspects:The first part,Strange Tales of Liaozhai in the pre-image era.In the pre-image era,the expression of audio-visual art promoted the spread of novels,promoted the generation of later films and TV plays,and formed the dissemination field.This thesis background of pu song-ling's life and creation,summed up the image before age three categories of the text printed Strange Tales of Liaozhai,according to the time sequence introduced the codex,photocopy,paper spread situation of translation,this paper expounds the drawing paper propagation characteristics of the Strange Tales of Liaozhai,analyzed the figure ofmeans and creation reason,It illustrates the interaction between the text and the picture paper in the propagation process of Strange Tales of Liaozhai.The spread of the novel has experienced a process from the minority to the public,from the abstract to the concrete.Based on the analysis of the spread of picture paper,this paper further discusses the dynamics of the stage drama spread of Strange Tales from Liaozhai,and shows the progressive development process from the text expression to the stage drama spread of Strange Tales from Liaozhai.The second part,the media interpretation of the image communication of Strange Tales from Liaozhai.With the intervention of film and television media,the meaning space of Strange Tales from Liaozhai has been expanded,and the sense of audio-visual experience has been continuously amplified.This paper makes a diachronic review of the film and television plays adapted from novels,discusses the importance of the second creation of film and television plays,and explains the role of Strange Tales from Liaozhai as a "bridge" between novels and film and television plays.On this basis,this paper analyzes the characteristics of male,female and different images in the novel in film and TV series,and goes deep into the inside of the novel,discusses how the film and television media presents the novel scene,analyzes the image inheritance of traditional thoughts,secular aesthetics and folk writing in the process of audiovisual expression of the novel.The third part,the story model of image communication in Strange Tales from Liaozhai.Through refining the plot content of the novel,this paper excavates the core content of the image communication of Strange Tales from Liaozhai,that is,the psychological landscape of men and women getting along and the life communication of the public.In the investigation from family to society,from individual to group,the similarities and differences between film and TV series and novels in story presentation are analyzed from the perspective of image narration,and the content characteristics of novel text adapted to film and television adaptation are deeply analyzed.The fourth part,the artistic means of image communication in Strange Tales from Liaozhai.Film and television plays are adapted in various ways to expand the capacity of Strange Tales from Liaozhai,and the use of different artistic means has enriched people's understanding of the literary background.This part focuses on the artistic characteristics of film and television plot structure,film and television sound,and film and television shot,and clearly presents the specific adaptation path of film and TV series.The fifth part is a case study of Nie Xiaoqian.The image communication of Strange Tales from Liaozhai has both "multi-part and multi-change" and "single-part and multi-change",presenting a diversified situation.Works on a "single" instead of the film and television play,to "can" the best known,the reason for this case study,this paper found that the image of "can" story spread has typicality and regularity,at present the content level,Strange Tales from Liaozhai's movies and TV shows two different film and television media have their respective characteristics,film pay attention to the artistic connotation of the picture,It emphasizes the dreamlike audio-visual feeling,while the TV series attracts the public with its realistic features of shallow content.The hundred-year history of the video transmission of Strange Tales from Liaozhai confirms its literary classics as a classical Chinese novel,indicating that the film and television art and literature art of Strange Tales from Liaozhai can be endowed with each other and developed in a blend.To some extent,it can provide reference for the modern dissemination of ancient literary works.