A Study On Novel Creation Of Post-70s Writers

The post-70 s writers as a kind of emotional community is first of all the result of the categorisation carried out by the academic community for the sake of promotion and research,and it is the result of the joint "imagination" of the literary community,the academic community and the post-70 s writers group.It is the result of the joint"imagination" of the literary community,the academic community and the post-70 s writers.The study of the overall characteristics of the literary creation of post-70 s writers requires attention to several issues: the legitimate legitimacy of the post-70 s writers as a literary community;the post-70 s "The question of the internal drive and propulsion of the post-70 s writers at different stages of literary creation;the correlation between the growth history of the post-70 s writers and the history of reform in Chinese society;the influence of the post-70 s writers' academic and literary education on The influence of post-70 s writers' college education and literary education on literary creation;the aesthetic principles and historical consciousness of post-70 s writers;the literary narrative space of post-70 s writers,etc.On the basis of a clean-up and historical understanding of the issues related to post-70 s writers,this dissertation places post-70 s writers in the history of literature and social development,and discovers their literary value and historical significance.The first part of the dissertation is a historical overview of the emergence and development process of the post-70 s writers.This dissertation divides the literary creation of post-70 s writers into three stages: the first stage is the emergence of post-70 s writers in the mid to late 1990 s."The post-70 s writers entered the Chinese literary scene in the 1990 s against the backdrop of the market economy,when literary journals and literature were pushed to the market.In order to survive and develop,many literary journals began to explore the path of marketisation of literature,thus introducing "post-70s" "beauty writers".Although the "personalised writing","body writing" and "lower body writing" of the "beauty writers" have The second stage is the transformation and accumulation period of the post-70 s writers after the new century.Those "beautiful writers" who wrote for the market were gradually abandoned by the media as their commerciality declined,while those post-70 s writers who focused on "pure literature"began to enter the The third stage is that after 2007,the post-70 s writers formally became the backbone of Chinese literature,and their creations have completely abandoned their market-oriented and commercial characteristics,and have their own The third stage is when the post-70 s writers formally became the backbone of Chinese literature after 2007.The second part of the dissertation is a compilation of the cultural and ideological resources of the post-70 s writers' literary creation.Born before the reform and openingup,they were deeply influenced by the collectivism and dedication of their fathers,and stepped on the tail of the "revolutionary era".At the same time,they experienced the whole process of reform and opening-up,catching up with the market economy of the1990 s in their youth and being swept up in the flood of modernity of materialism and consumerism,thus falling back into individualism and private desires.The writers of the post-70 s,on the other hand,received a modern,urban education,and most of them have a university education,so their literary works are more beautiful and profound in language,more literary and issue-oriented,and more humanistic with the spirit of intellectuals,often with professional knowledge and professional background.At the same time,the "feminism","pioneering spirit" and "new ancient rhyme novels" of the previous generation of writers have also become literary resources for their further creation.The third part is a study of the value stance and aesthetic principles of the post-70 s writers' literary works.They have become the new middle class.They have incorporated the aesthetic principles of the middle class into their literary creations,which has led to a tendency to "aestheticise everyday life" in their works,and has also created the "post-avant-garde novel".The fourth section focuses on the exploration and experimentation of the literary narratives of the post-70 s writers.The post-70 s writers have transcended the limitations of physical writing and private writing at the end of the 20 th century,and after the new century they have been "re-historicised" under the literary call.In the new century,under the literary call of "re-historicisation",they began to write new grand historical narratives.At the same time,the post-70 s writers no longer focused only on individual lives,but also turned their attention to the real society and saw the rise of small towns in China in the context of "urbanization",so those post-70 s writers who came from small towns and had lived in small towns The post-70 s writers began to write about small towns.The post-70 s writers' concern for realisation also lies in the way they express themselves,as they are keen to use 'non-fiction' to discover new issues that arise during the social transition period,demonstrating the post-70s' realism of the present.They are keen to use "non-fiction" to discover new issues arising during the social transition,showing the realist literary spirit of the "post-70s".The fifth part is to locate the position of the post-70 s writers in Chinese literature.Today's post-70 s writers have reached middle age,and along with their physical age,their literary creation has also entered middle age.They have moved away from the restlessness of their early "youthful writing" and have entered the calm and heavy middle-aged writing,which is more responsible and profound.In the context of globalisation in the new century,the post-70 s writers have communicated with the world through various channels,and their literary horizons have become increasingly broadened,with a global perspective,so that they have achieved "writing in the world" with unprecedented literary confidence in the collision between national and world literature,creating Chinese literature of their own.In the collision between national literature and world literature,they realised "writing in the world" with unprecedented literary confidence,creating a world literature that belongs to China.It is also with the maturity of the post-70 s writers that they began to change from the "middle generation" to the "middle generation" of literature,completing the "true rise of the post-70s" writers.The post-70s' writers have truly emerged.