Research On Northeast Regional Landscape Painting Of Song Yugui

Due to various historical and geographical reasons,the academic circles pay less attention to and study the landscape painting in Northeast China.At present,landscape painting in Northeast China has not established a comprehensive and systematic system in terms of schema,techniques and theory,lack of corresponding theoretical research,and the thematic research on Northeast painters lags far behind other regions.How to express the style of Northeast China with pen and ink language is an unsolved problem for a long time.Song Yugui is a very typical case.Based on the northeast,he created a landscape art style with regional characteristics.At present,the research on Song Yugui mostly stays in the evaluation and appreciation of his works,and few scholars conduct in-depth theoretical research on him.Using the methods of formal analysis,field investigation and literature analysis,this paper reveals the background of the formation of song Yugui's landscape painting style in Northeast China,and divides its artistic development process into four stages for phased research,which proves that song Yugui's painting is deeply influenced by Fu Baoshi,It is clear that song Yugui's outstanding contribution to the Northeast regional landscape painting and even the history of landscape painting is to innovate the pen and ink language in the expression of "water",clarify the "regional" characteristics of song Yugui's northeast regional landscape creation,explain song Yugui's painting proposition of "ten thousand methods and one moment",and summarize song Yugui's Enlightenment to the development of Northeast regional landscape painting and its artistic limitations.Combined with the background of song Yugui's time,this paper carries out research to provide theoretical support for further analysis of song Yugui's art.Through his case study,this paper enriches the theoretical research of landscape painting in Northeast China,provides useful reference experience for the practice of landscape creation in Northeast China,and lays a research foundation for the future art research in Northeast China.This paper consists of five chapters.The first chapter is the introduction,which expounds from four aspects: the origin and significance of the research,the research status at home and abroad,the research focus and innovation,the research methods and the definition of related concepts.The second chapter studies the characters in the background of the transformation of Chinese painting and the development of northeast art after the founding of the People's Republic of China,reveals the impact of the external environment on Song Yugui's art development,especially expounds the western painting training song Yugui received during her study in Lu Xun Academy of fine arts,and analyzes Fu Baoshi's influence on Song Yugui in many aspects through his works.The third chapter arranges the representative works of song Yugui in different periods on the axis of time.According to the style and appearance of the works in different periods,the development process of his landscape painting is divided into four artistic stages: the first stage is widely involved at the beginning of creation,the second stage is to learn from the ancient without mud and magnificent atmosphere,the third stage integrates the innovation of Chinese and Western pen and ink,and the fourth stage is from complex to simple ink,Specifically analyze the artistic characteristics of representative works in each period,and sort out the context of their style evolution.The fourth chapter is the exploration and return based on the northeast.This chapter is divided into three sections,which analyzes the pen and ink language characteristics of song Yugui's original theme of "the sea",expounds the modernity factors and personality characteristics of his representative work "the majestic appearance of the Yellow River",and explains the path and characteristics of song Yugui's return to the traditional context spirit from the aspects of sketching,creating environment and color and ink of "Huangshan" series.The fifth chapter is the aesthetics and value of song Yugui's northeast regional landscape painting creation.This chapter explains the aesthetic characteristics of song Yugui's northeast regional landscape painting from two aspects of the "regional" characteristics and aesthetic thought of song Yugui's northeast regional landscape painting creation,and expounds song Yugui's Enlightenment to the Northeast Regional landscape painting from his cross painting integration of Northeast regional themes and the expansion of "desolate and cold" painting environment.1.The artistic style of song Yugui's landscape painting comes from the aesthetic characteristics of the northeast region.2.The exploration of modernity runs through song Yugui's whole creative career.3.Contributed to the performance experience of splash ink freehand landscape painting.