| In recent years,with the increasing recognition of the cultural achievements of the Ming dynasty clansmen,the achievements of research on the literary and cultural achievements of the clansmen have increased significantly.The imperial clans of Qin,as the chief feudal lord in Ming dynasty,the research results were not very satisfactory.The literary creation of imperial clansmen of Qin in Ming Dynasty was not only an important part of the Ming dynasty clansmen literature,but also an indispensable part of Ming Dynasty literature.In view of this,this paper will take the existing writers and works in the imperial clansmen of Qin as the research object,try to systematically discuss the development and overall style of the imperial clansmen of Qin literature,and reveal the contribution of the imperial clansmen of Qin literature to Shaanxi and Ming Dynasty literature.The article is divided into three parts,the first part,the middle part and the second part.The first part mainly analyzes the changes of imperial clan of Qin’s power space and the general situation of literary creation,including the introduction,the first chapter and the second chapter;the middle part is the literary creation of imperial clan of Qin’s upper clan,including the third chapter and the fourth chapter;the second part is the literary creation of the lower imperial clan of Qin,including the fifth and sixth chapters;the conclusion part discusses the contribution of imperial clan of Qin’s literature in the literature of the Ming Dynasty.The main contents of each chapter are as follows:The first chapter gives an overall view of the changing process of the power space of the Ming Dynasty clan,and analyzes the impact on the fate of the imperial clansmen of Qin under the change of the ban on the feudal lords.The first section mainly outlines the changing process of the power of each vassal,that is,the power space reached its peak in the Hongwu period.After the Jianwen Dynasty,it began to implement the policy of reducing the vassal,and it was basically finalized by the Xuande Dynasty.The second section sorts out the main lineages of Imperial clan of Qin’s.The third section analyzes the activity space of imperial clan of Qin’s.Affected by the policy of ban on the feudal lords,the activity space of the imperial clan of Qin’s in the three aspects of rights,territory and spirit was restricted to varying degrees.It is believed that the contraction of the activity space is the fundamental reason why the imperial clan of Qin’s turned to literary creation.The second chapter mainly outlines and presents the overall style of imperial clan of Qin’s literature.The first section examines imperial clan of Qin’s literary writings.There are 26 immediate books and 22 writings,of which 18 are literary works and 6exist today.The second section outlines the development stages and artistic characteristics of imperial clan of Qin’s literature.One is the founding period marked by King Kang of Qin during the Orthodox period;the second is the development period represented by King Jian of Qin during the Chenghua period;The prosperous period represented by the Qingmen poetry community.Literary creation mainly presents a strong sense of Tang,and the subject content mostly reflects real life,showing a solemn and elegant artistic style as a whole.The third section studies the cultural activities that imperial clan of Qin’s clan carried out in addition to literary creation,showing the characteristics of delicacy,regionality and demonstration.The third chapter is a case analysis of King Kang of Qin,Zhu Zhiqi’s literary creation.The first section discusses his family background and life;the second section examines the version and bibliographic evolution process of his "Mo’an Poems";the third section presents King Kang of Qin’s social activities,mainly including the interior of the imperial clan of Qin’s,the friendship between Shaanxi officials and monks and hermits;the fourth section analyzes the content of the "Mo’an Poems",which is divided into three parts: singing harmony poems,writing scene poems and chronicle poems.The fifth section discusses the artistic characteristics and literary contributions of the "Mo’an Poems",that is,in terms of poetry genre,it is mainly composed of near-style poems,and it likes to use elegant and bright language to create a poetic mood,and it has two poetic styles of grandeur and freshness.King Kang of Qin’s main literary contribution is that he was the first feudal lord of imperial clansmen of Qin to publish a collection of books,and he had the first contribution to the imperial clansmen of Qin’s literature.The fourth chapter makes a case analysis of the "Binzhu Posthumous Anthology" by Zhu Chengyong,the King Jian of Qin.The first section briefly introduces Zhu Chengyong and his writings;the second section analyzes the content of "Binzhu Posthumous Anthology",and divides his articles into five categories: discipline,reading perception,textual research,exposition and miscellaneous notes.part.The third section mainly discusses the literary style and literature value of "Binzhu Posthumous Anthology".Zhu Chengyong advocates the simple and natural style of writing,and at the same time implements the creative concept of writing is for coveying truth.The literary value of "Binzhu Posthumous Anthology" lies in its combing and textual research on the changing process of ancient relics in Shaanxi,searching and protecting the inscriptions of previous generations,paying attention to and recording the local customs and conditions,in order to study the humanities of Shaanxi,that is,natural and material culture.Heritage provides documentary support.The fifth chapter enters into the research on the literary creation of the lower clan of Imperial clan of Qin.A case study of Zhu Jinghe and his "Mei Xuexuan Poems".The first section examines Zhu Jinghe’s family background and life.The second section sorts out and examines the four extant versions of "Mei Xuexuan Poems".The third section examines the "Qingli poetry community" established by Zhu Jinhe and discusses its social activities,including the two parts of internal and external social contacts.The fourth section makes an overall analysis of the poetry content of "Mei Xuexuan Poems ",and divides it into two parts: ancient and recent.The fifth section summarizes the artistic characteristics of Zhu Jinghe’s poems,mainly showing the language is dense and elegant,and the artistic style has two poetic styles of vigorous and natural.The sixth section introduces Zhu Jinghe’s calligraphy art,and sorts out the calligraphy collection of his son Zhu Yisi and his follower Zhu Yidou.The sixth chapter makes a case analysis of Zhu Yizhi and his "Dayetang Poems ".The first section sorts out and researches Zhu Yizhi’s family background and life.The second section examines the Qingmen poetry community established by Zhu Yizhi and the members and activities of the Qingmen poetry community,and discusses the Qingmen poetry community and its personal social activities.The third section analyzes the version situation,creative tendency and poetry content of "Dayetang Poems",and divides its poems into five parts: gift-giving,farewell,chant,pastoral,and banquet.The fourth section summarizes Zhu Yizhi’s poetic thoughts and artistic characteristics,that is,it is well-prepared in terms of genre,broad in subject matter,elegant and subtle in language,and two artistic styles of generosity and sadness and freshness and elegance in style.The conclusion part reveals the value and contribution of the Imperial clan of Qin’s literature.The value of Imperial clan of Qin’s literature is mainly manifested in three aspects: one is to actively inherit and develop Qin culture,the other is to become an important part of Ming Dynasty literature and culture,and the third is to promote the integration and interaction with Ming Dynasty literature. |
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