Theory Of Sketch Teaching The Influence Of Chinese Figure Painting

Traditional Chinese painting art in the origin, character is a rarity, has the unique artistic regularity and aesthetic style, in the tang and song dynasties, once created China painting history glorious in the world, yet still some extensive influence, but the profound history and the Ming and qing dynasties along with the change of social environment, the YiQi express chest by scholars such as dominant Chinese figure painting idea creation concept, no longer even subjective change gradually to shoulder "into education, help ethical", reveal the role of social essence, has fallen into a stylized's misconduct in the whole society, to extricate themselves confronted within culture blend and innovation, pursuit of traditional Chinese painting art many people of insight, throughout his life, the development of contemporary Chinese painting, especially for the development of Chinese figure painting has made outstanding contributions in the paper, such as name JiangZhaoHe, FangZengXian, xu beihong, ZhouSiCong etc LinFengMian, wu guanzhong, master, both in the Chinese characters in different angles of the exploring Chinese painting figure in the development of many factors, In many influence factors of the western model art based on the influence of Chinese character sketch most huge, sketch teaching as the Chinese figure painting professional training base, its painting language, observation method for Chinese figure painting many respects has very big effect.This article through to the more influential works at home and abroad are analyzed, widely read relevant materials in the theoretical basis of the art works, from the development present situation, language and discussed in sketch teaching the influence of Chinese figure painting.Although sketch teaching to the creation of Chinese characters, but today looks great influence on traditional Chinese painting art western sketch the application is not perfect, among them the differences between Chinese and western of different cultural background and two kind of art form ontology distinction, traditional Chinese painting of the characters in western sketch still exists many problems for reference. Along with the deepening understanding of western sketch between Chinese and western culture, will further further communion found there more common and sides. No matter what kind of gimmick, using the premise is remembering to western sketch research and the study only one objective is the development of the revitalization of traditional Chinese painting figure, we should also this ethnic arts have enough confidence because Chinese painting characters in the pursuit of characters or more important purpose behind of human characteristics that art is the performance of the subjective consciousness, it is contemporary western artists are trying to pursue.