Font Size: a A A

Research On Shakespeare's Tragedy Imbalance Phenomenon

Posted on:2011-01-02Degree:MasterType:Thesis
Country:ChinaCandidate:Y RenFull Text:PDF
GTID:2155330332972319Subject:Comparative Literature and World Literature
Abstract/Summary:PDF Full Text Request
Shakespeare's tragedy works for posterity endless ideological wealth. In the Renaissance, the specific historical conditions of late, Shakespeare's tragedy focuses on "people own desires and rationality of the imbalance in the opposite end," resulting from thinking. In the early Renaissance, people's desire to get the maximum strength, people no longer is the lamb of god, who is subjective. But if it is not rational desire within the scope of control, go to the opposite, i.e. good "evil". But the opposite is good "by western centralism and logos" binary "way of thinking. In Shakespeare's tragedy character creation, reflects the "binary" creative thinking under the tragic fate characters. Between the ideal and the reality of tragedy, such as imbalance caused Hamlet and ex 2; Personal ambition and nature caused by the pursuit of antinomy of tragedy, Macbeth, lady Macbeth possesses, claudius, iago, edmond, etc. Pure hearts and extreme egoism opposition conflict in tragedy, such as Othello and desdemona: Strong will to putin-assertiveness caused tragedy, as king Lear. From Shakespeare's tragedy figures, he saw the end of one's own "desire and rational caused imbalances caused the tragedy," but how did find Shakespeare "out of balance" avoid this kind of "balance" (), this is he for our problems, namely "of free To survive or destroy)" (the selection problem. Man is a rational capability, "Socrates has long" rational ability "point of view. I think, "balance", according to the specific historical conditions and specific conditions make the right choice.
Keywords/Search Tags:binary oppositions, Renaissance, desire, the rational, opposition imbalance, balance
PDF Full Text Request
Related items