Vocal Performance In The Art Of Virtual And Real

Virtual and real the aesthetic categories, not only is the most unique traditional Chinese art. artistic spirit of most national identity appear, is one of the basic aesthetic principles of artistic creation and criticism, and china's traditional art is closely pursued by the unique aesthetic standards. From its historical evolution to investigate, vinual and real as a category from the philosophy and application in aesthetics, in the field of literature, arts, and to extend. From the terms of its artistic manifestations, virtual and real widely used in music, drama, gardening, painting, calligraphy, art category. Throughout in china art development course, we can found:to determine of real pursuit indefinite of virtual, and to local of real pursuit overall of virtual, and to limited of real pursuit unlimited of virtual, on real has images for art processing, and refined, breakthrough real and germinal virtual, to beyond art surface get unlimited mood, to created art image has became distinct of national aesthetic spirit. For music art, the virtual and real aesthetic perspective is also run through, such as the notorious' great music and sound ". And in terms of vocal music performance art. virtual and real also is the unremitting pursuit of aesthetic realm of artists.This paper consists of four parts to discuss. The first part is an introduction.The second part of the history of our country about the actual situation on the theoretical studies and induction of systemic resistance to sort out. on this basis the article discusses virtual real philosophical based on aesthetic aspects of the virtual real theory and virtual real in the musical art form in the use and performance characteristics, as further discussed to provide a solid theoretical foundation. The third part discusses the virtual real in the specific performance of musical works. Construction of the music organization's virtual real music movement in the vinual real structure in the breath of virtual real to discuss three aspects. The fourth part discusses the vinual real an in the use of vocal music, singing from the practice process and cut into two parts, the process of discussion, the former practice of the exercises from the exercise and performance of different real virtual solid for analvsis. The latter chamber from the articulation with the line, singing the expression of mood and the overall technical level to reflect the virtual real relationship and the aesthetic characteristics of thinking in the performing arts in vocal expression and application.In this paper, vocal performance art in the virtual real for scholarly research, through their aesthetic dimensions of thinking, return to the performing arts of the application level, the theoretical approach and a combination of musical body of virtual real a more comprehensive and specific analysis to metaphysical thinking and a physical practice of aesthetic manipulation of unity, direction for the efforts of the author.