Early The Fiction Of The Original Model With The Chinese Modernist

The Fiction of Early Modernism in China's primary mode of fiction, was the first full modern meaning of the novel. It is in the integration model based on traditional Chinese fiction, and actively learn from and absorb the Western Modernist Fiction, forming a modernist novel with Chinese characteristics model for the development of Modern Chinese Fiction provides a prototype in the development of Modern Chinese Fiction has a pivotal position in the course and irreplaceable significance.May Fourth era for the generation of modern Chinese literature to provide the soil, and its social environment, historical background, cultural context gave birth to modern Chinese literature, petty-bourgeois writers of the active pursuit of individual self-made modern literature in China, the occurrence of possible .In this paper, the novel The Creation Society, for example, the novel model as the starting point, from the theoretical model, theme, artistic mode of the three models and the Fiction of Early Modernism in China the relationship between the original model. Considering the historical background, cultural context, individual self and other factors, the original model of the causes of modern China; from the purpose of literature, creative motivation, art research methods, three novel Creation Society, "Art is a symbol of depression" theory advocated ; from Remnants image, double split personality, misery sad mood induction three novels Creation Society "the pursuit of self and loss," the literary content; from the subjective perspective of the psychological structure, three aspects of stream of consciousness The Original Chinese modernist narrative.In this paper, The Creation Society of Western modernism selective absorption of acceptance and creativity, the Chinese modernist fiction discussed the characteristics of the original model, from the Chinese modernist fiction to find the original model the development of Modernist Fiction and the basis for paradigm change. Depth of ideas from theory, the eternal theme of diversity, a single form of enrichment of the three pre-Modern Chinese Fiction from the New Sensation Creation Society to the development of avant-garde and then to flow; Modernist Fiction from China to the West Modern Chinese characteristics, the selective acceptance and the formation of modern Chinese characteristics and limitations of two aspects of modern Chinese characteristics, and exploration efforts.