On Sexual Replacement In The Texts Of Women Writers In Later New Period

This paper will mainly deal with sexual replacement in the texts of women writers in later new period, by means of narratology and cultural feminism, paying emphasis on its three perspectives, namely, point-of-view, narrative aesthetics and culture explanation.The narratology in sexual replacement is displayed in three patterns: "I" as non-protagonist narrative, "I" as protagonist solo-narrative, and "I" as female and male protagonists alternate narrative. By the analysis of these three narrative voices, we can see that it has various possibilities to form political collective women voices through narratology. From the perspective of narrative aesthetics, sexual replacement is a strategic breaking through of embarrassing narrative, while women writers' male narrative has forced the writers to reconstruct their ways of thinking, imagination, and expression, which also brings narrative tension and multi-voices. Cultural explanation is mainly to apprehend the phenomena of patricide in sexual replacement texts of women writers in later new period, starting with the inner motion system of sexual replacement ?women consciousness: they use the changing of wordings from "daughterly patricide" to "sonly patricide", "cultural patricide" to "physical patricide" to criticize and deconstruct patriarchy; sexually replacing narrative creates a new model of "watching and Being Watched", which provides possibilities for women writers' self-watching and self-survey. They realize that only by sensible self-examination can they avoid crankiness caused by self-retirement and create an independent female language able to compete with male language with a voice of special quality.