| Relative to the mainstream films, the literator film has always been the fringe location, disregarded by the academia and mentioned at the corner of the paper. However, as for the literator film, there is a lot of space and potential for academic research to do. Therefore, I think, it is very necessary and important to discovery the aesthetics implication, the artistic characteristics and the language conformation about the literator film.In this context, I purpose to take the literator film as an aesthetic tropism, in order to give some new explanation about the literator film on the aspect of aesthetics.Through my research, I hope the inventing and theory groups can attach importance to the literator film. A new dimensionality has been given in my paper, that is, the Chinese traditional culture. In this angle, we can find the literator film aesthetic pattern of our own culture. By absorbing the Chinese traditional culture, we want to promote the development of our film nationalization, to express universal national sensibility and transfer national culture in a familiar represent mode. Furthermore, the literator film itself is a growing and variational category. We summarize its characteristics so as to it can use for reference and assimilate new film language, accelerate its modern transformation and renovation.To begin with, we must discuss the literator film's concept . Its basic connotation contains: solicitude about human nature, enjoyable and lyric taste tendency, poetry and implicative exhibition technique, thin but sapor aesthetic character, small and simpleappearance character. The literator film has three culture origins--poem, literatorpainting and Zhuangzi ideology, which all influence the aesthetic consciousness of the literator film.The literator film has its particular image constitutes system and narrative method. As a result, analyzing it is of great significance for the establishment of Chinese film aesthetics and the development of Chinese national film. |
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