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Lean Upon The Tradition, Travel In The Modern Time

Posted on:2006-07-31Degree:MasterType:Thesis
Country:ChinaCandidate:Y M ZhangFull Text:PDF
GTID:2155360152498787Subject:Chinese Modern and Contemporary Literature
Abstract/Summary:PDF Full Text Request
Zhou Zuoren expressed admiration tor Yu Pingbo's prose style which was belonged to Chinese literature, such old and so new. Zhou Zuoren present himself to the public with national composition style. His prose had vivid nationality characteristic, as well as modern particularity with brand-new value conception, expressive conformation and aesthetic character. With the view of China artistic spirit, the writer analyzed the traditional literature value sight of Zhou Zuoren. then probed in the origin connection between China traditional artistic spirit and the aesthetic ideal and style of Zhou Zuoren. and how of these incarnated in his unique writing.This thesis is composed of three parts. The first part analyzed the traditional literature value sight of Zhou Zuoren from three points. First describe the collectivity view of traditional literature of Zhou Zuoren. In the May Forth lime of being crazy against tradition. Zhou Zuoren looked tradition with the rational vision, rediscovered the value of Chinese traditional literature resource, and endowed them with new meaning. Second, particularly analyzed the reason that why he had different tropism for traditional literature, with the points of why he canonized the Late Ming dynasty literature, liked reading all kinds of different books, but attacked the articles of the eight famous writers of Tang and Song dynasty and of the Tong City group of Qing dynasty. Last, with four points of his recognition for Japanese culture, Hellenism. England essay and sex-psychologist Ellis, analyzed his literature view that focused on the tradition to radiate the heterogeneity cultures. The second part analyzed the connection between the prose of Zhou Zuoren and Confucian artistic spirit. First, review the origin connection between the misery consciousness in Zhou Zuoren's prose and Confucian art. Then, particularly describe the misery consciousness in Zhou Zuoren's different prose style of scribble, essay and scribal-essay.At same time make a thorough search for the reason that his prose style came to being swift and fierce, and the reason that changed to bitter. The third part analyzed the connection between the prose of Zhou Zuoren and Taoism artistic spirit" First, review the origin connection between the naturalness and flat of Zhou Zuoren's aesthetic ideal and Taoism art. Then, in two sides between subject matter and art style, describe the incorporate condition of naturalness and flat characteristic in his prose. Review the choice of subject matter in two sides between nature substance and local matters. Discuss the art style in the point of the choice of language, the building of artistic conception. For the choice of language, particularly reviewed how he pursued concision and easy sentences and words, how he like connotation and quiet tone or writing. Describe the building of artistic conception in three sides that is the choice of the image, the construct of the artistic conception and the implying bitter into quiet.Through this thesis. I try to review how Zhou Zuoren absorbed the foreign literature (culture), and then abstract his view of traditional literature value from various amounts of his prose, diary and letters. Basing this point. 1 analyze the connection between his prose and China traditional artistic spirit. The aim of this thesis is to get through the limit between Modern and Ancient, mouse out the connection between contemporary litterateur Zhou Zuoren and China traditional artistic spirit, reveal the special aesthetic ideal and composing personality of Zhou Zuoren. have deeper understanding of the artistic value of his prose.
Keywords/Search Tags:Zhou Zuoren, Prose, Confucian Taoism, China Artistic Spirit
PDF Full Text Request
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