Jiang Guangci's Shanghai Drawing

Jiang Guangci is one of the sponsors of Chinese Modern Revolution Culture. He has got outstanding contribution on two aspects of the theory construction to modern revolution culture and inventing literature. It has never stopped about Jiang Guangci's researching and discussion since his first poetry anthology—was issued. Although researchers living in different time unscrambled his inventing differently from different aspect, up to now the researching still around the background of 'Revolution Culture'. These words want to keep an eye on Jiang Guangci's Shanghai drawing that although he was inadvertently on the inventing about the subject of Shanghai, Shanghai still came into his light externally and took part in his inventing. According to comparing it shown his own style on subject mode and city environment etc., through the achievement for Shanghai drawing was still behind of the city literature inventing of Peking style, modern style and Mao Dun. Reading his words deeply, you could find that Jiang Guangci's Shanghai drawing is not single and renitent. And going on two aspects of 'Revolution' and 'Petty Bourgeoisie' Shanghai under his drawing shown the features more luxuriant and multiple. His overall inventing is similar to his Shanghai drawing. It was also going on two aspects of 'Revolution' and 'Petty Bourgeoisie'. This drawing style was not only branded marking of modern and time, but also went with writer's researching forwardly. And the most importance is that it refracted out the writer's diplex personality. On the words the antinomy and conflict between 'Revolution' and 'Petty Bourgeoisie' generated that the writer is wordless and confused facing to the literature criticism; and one the level of life antinomy and conflict between 'Revolution' and 'Petty Bourgeoisie' generated the writer's tragedy in his last time.