The Forces Confrontations In Singing Research

The paper explores,in forms of muscular operation,the functioning principles of the relevant vocal organs and muscles ,and defines the source of forces that pushes the smooth ongoing of singing and the forces that dominate it. This phenomenon is known as "confrontation forces". Forces confrontations refer to the fact that a force produced by a matter in any state is opposite in direction to the force produced by another matter. The confrontation forces are developed on the basis of other researchers. It stresses that "You should try to strain your muscles when needed while trying to relax when needed." Then how to handle properly the extent that a singer should be actively engaged in confrontation forces while being relaxed is a delicate problem that requires one to deal with carefully. Only in this way can the contradictions relevant in singing be solved. Starting with the analysis of the material conditions that support the smooth singing, such as breath, muscles and skeletons, this thesis explores the production of the confrontation forces and their operation principles as well as the relevant theoretical basis that supports the confrontation forces. This thesis consists of six chapters besides introduction and conclusion. Chapter 1 discusses the material conditions that the confrontation forces depend on. It defines the confrontation forces produced in the body in singing from the perspectives of kinematic physics and physiology. It makes a detailed analysis of the material conditions that the confrontation forces depends on, such as the breath, muscles and skeletons, and explores their operation principles in singing. Chapter 2 is focused upon the main areas where the confrontation forces exist. It tries to prove that there are some areas or major areas where the confrontation forces are likely to exist from the perspective of physiology and physics. Chapter 3 is about the major trends of force confrontations. It discusses in detail the operation tendencies of the material conditions that serves for singing in the physical body. Chapter 4 discusses the major awareness in the confrontation. Starting with the setting of musical instrument and the process of singing, it analyzes the force confrontation in the body systematically to explore the process of the force confrontation in singing. the confrontation forces produced in the body in singing from the perspectives of psychology. Chapter 5 discusses the major factors that influence the results of the proper confrontation. It analyses the diverse factors that have effect on the force confrontation in body in both subjective and objective aspects. Chapter 6 tries to explore how to erect appropriate confrontation awareness and the training measures. It analyses the diverse expressions of force confrontation from different angles, and explores the relationship between effective force confrontation and ineffective force confrontation. On the basis of the daily life, it puts forward the measures as to how to develop proper force confrontation.