The Narrative-and Theorical Paradoxes About Carnival Theory In Bakhtin's Theory Context

Carnival Theory is having been played an important role in today's theory context. But in my article, I only focus on Bakhtin's analysis about carnival, and not the whole theory which depends on carnivalesque. I will head for this question, that is, to some extent, Bakhtin have accomplished recovering from the Mediaeval carnivalesque ? Which narrative-tactics are behind the way on expounding ? So I pay more attention on "how", not "what" about Bakhtin's Carnival Theory. What's more, I try to make a boundary in a larger system by displaying all kinds of relationships.The first, sort out the present situation of the study on Bakhtin's Carnival Theory in Chinese theory field, any theorists will certainly face subjectical narrative- tactics.The second, analyse the factors of the carnival(time\ space\ human) by comparing with the other theorists.The third, ultra-contextation will lead to nothingness. I myself also suspect Bakhtin's Carnival Theory (it is different from the view on the wrong of Bakhtin's). At last, I will explain four paradoxes in the Carnival Theory.