The Collage Language In Modern Painting

Since the being of the 20th, forerunners of cubism have applied painting materialin the form of collage to painting firstly, and collage appears in the history of art innew features. As a kind of method, collage is worth researching and has high historicposition as other traditional painting or traditional painting forms as they are. With thetries to the method of collage in genres, the material and conception in collage areexpanded and developed. The applications of material and method become thecharacter of it. Collage of mixed material supplies vitality for contemporary painting.The situation of traditional painting is broken. Experiment art become new strength topush the Chinese fine art. It is necessary outcome that modern painting seeks thedepth of presentation and spirit by collage.The original conception of collage is that one stick by hand using paste.As medium, but now this notion is extending it is range. In fact many meanslike stiletto, intertexture, suspend etc. Already have gone out the plane andjoined in the three-dimensional mold. So we couldn't take collage as itsoriginal notion plainly. Paste give rise to the collage which bring out sometheories and later its influence exceed the scope of it is primitive appearance.Collage transforms its appearance from a material form into the fundamentalprinciple of observing and being in nowadays.Modernism and post-modernism can be recoded as the epitome of thecharacteristics of our times in which life is just scissors-and-paste work, andmaybe we all live a life off and in. Collage has appeared as a coverall posture.But at the same time, its meaning is also deconstructed, so "Decoupage" ismore important. When Modern art completely disregard the visual connectionamong the every elements in paintings and pile up them is simple way, weneed review the headstream and history of collage, and I want to offer a wayor a direction to deepen comprehension to those paintings which use collage.This is purpose of this thesis.