The Inquiry About The Theory Of "Zhonghe" Beauty In Chinese Painting

The ideology of "zhonghe" is an ancient concept of the Chinese understanding history .It is an important thoery of the Confucian philosophy, as well as one of the quintessence of Chinese traditional culture. It is an Confucian concepts and methodology for the contradiction, containing a rich and profound dialectical Content,its deep affect lieses in the various fields of social life ( polity, mility, economy, cultury). Nowdays, in the field of the pure philosophy, the study of its excavation and modern value has reached a considerable height, given the traditional concept of a strong character of the times.The theory of "zhonghe" beauty, as the specific expression in the art field of the ideology of "zhonghe" - is an aesthetic realm of the Confucian. It Is an aesthetic perspective including correct principles. The theory of "zhonghe" beauty with the most prominent characteristics is important to advocate harmonious beauty, it is not only a performance for the formal beauty, but also the performance for the harmony of the inherent and internal .It includes moderate and appropriate, harmony, unity and diversity, the integration of two important factors .This article mainly in the four aspects of the image-making, position arrangement, the line and chinese-ink, the color-paitining and so on analyzed the concrete manifestation of the theory of "zhonghe" beauty in the art theory of the traditional Chinese painting , and its instruction function to the drawing practice.Take the portrait classroom sketch as the example, this paper emphasized the importance of relations- coordinating in the drawing practice between the objective image and the subjective creations. Coordinate the proportion "resembles "with "un-resemble",to achieve the esthetic "not resemble its resembles" purperse. Emphasis the balance between the lines' functions of the physique- constructing and the emotion-indicating, to use many kinds of inks utilization to express variouse black color, to achieve harmonious effect.With the chart of symbols, analysis traditional Chinese painting only has processes the good picture the density, the actual situation, the relation between the Primary and the secondarys can obtain methodicalness effect.Emphasized the traditional Chinese do well in the color process, has the good shade, thickness, can achieve the suitable picture effect. In view of the shortcomings of The theory of "zhonghe" beauty, I discusses its instruction significance to the " exquisite ", proposed that with the principle of" Similar" but not" Same", correctly analyzes and understand the question that the characteristic and the world dialectical relations to the traditional Chinese painting development, emphasized to persisted in the national characteristic to found the Chinese national culture, to constructs the harmonious drawing linguistic environment. In view of the individual drawinger, proposed to strengthen the tutelage of the traditional important theory to the health development of the traditional Chinese painting .