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By Chinese Portrait Inheritance And Development

Posted on:2008-05-06Degree:MasterType:Thesis
Country:ChinaCandidate:Y H PengFull Text:PDF
GTID:2155360215955063Subject:Chinese character color Picture
Abstract/Summary:PDF Full Text Request
Follows the globalization the advancement, the oil painting which thewestern ship comes is attacking the traditional Chinese painting,causes the traditional Chinese painting to face the challenge. TheChinese portrait takes the traditional Chinese painting an independentdiscipline, similarly, also receives the western drawing formallanguage the impact. How causes the Chinese portrait to not only be"China" also is "the modern age" the direction develops?In to the Chinese portrait various aspects research foundation in, myself thought the Chinese portrait the creation and the tradition are shear the shed unceasingly.Therefore myself first narrated the Chinese tradition portrait development course, after but has analyzed the mental connotation which theChinese tradition portrait formal language as well as its load bearingsocial function and manifests, and extends transits to the near modernChina portrait development course. After that myself also to elaboratethe near modern China portrait, compared with the tradition, what haslost in the formal language? Which new factors also melted into? At the same time, myself proposed and has analyzed the challenge whichthe Chinese portrait faces. Mainly because the Chinese portrait withmassively melts into the western drawing to social function losing theformal language. Facing now the artistic multiplication and should the diversification, facing the traditional culture foundation vacillation and external cultural invasion this dual impact, how our China portrait seek its outlet? Myself finally draw individual conclusion, the Chinese portrait should conscientious walk own path, only then persisted own path only then cannot lose the direction.Certainly I so-called walk own path, is not divorces oneself from reality, also is not sticks to old ways, on the one hand but is through the traditional unique charm, resists West's culture to colonize; On the other hand richly colorful resists the irrevocable traditional inertia through the reality, causes it to follow close on the time, has the modern intention.In summary, in the modernized advancement, the Chinese portrait should persist own artistic development, the absorption tradition essence simultaneously profits from the Western drawing view, and unifies the time, integrates the current relevance, creates belongs to this nationality to have the current relevance Chinese portrait, causes it development forest of in the world drawing.
Keywords/Search Tags:formal language, material performance, time, national characteristic, mental connotation
PDF Full Text Request
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