On The National Aesthetic Consciousness From The Development Of The Chinese Figure Painting

This dissertation tries to analyse from the angle of the national aesthetic consciousness from the development of the Chinese figure painting. The dissertation is divided into six parts.1. The historical procession of the Chinese figure painting. The history of its development is a brilliant national cultural, which is of long standing. The variety of aesthetic consciousness promotes the new advancement in figure painting.2. Different origins from social evaluation and choice of the eastern and western culture—the national aesthetic consciousness. The national cultural tradition is the source of national aesthetic consciousness.Each nation has developed its own sharply distinguished characteristics in the long-term developmeng of the history. The confucianism taoism and buddhism respecting affect the aesthetic consciousness of chinese figure painting and to the greatest degree. However, the platon and aristotle's mimicry idea then directly affects western artics' spiritual principle.3. The specific demonstration of traditional figure painting under the national aesthetic consciousness. Traditional figure painting of the aesthetic consciousness displays in the China deep cultural context and the artistic idea, as well as in Chinese figure painting, method and method.4. The modern aesthetic consciousness of figure painting under the new cultural backgroud. With the increasingly development of the ages, the traditional painting language have alreadly not met the aesthetic standard of modern people. The shape principle of the western painting and the old-aged painting of China, Showing the possible of the new development of Chinese figure painting. 5. Pluralistic tendency is a product of fresh Aesthetic consciousness. The essence of pluralism is the indinduality of manifestation. With the evaluation standary of artistic value becoming pluralism, and the different artists choice conespond means and forms to set up their painting languages.6. Aesthetic consciousness in the developing figure painting of the important role and historical significance. While nation aesthetic conciousness with a strong sense of the historic, genetic; The other with fresh reality, and variability. Figure painting of the development is to inherit the tradition of aesthetic consciousness on the basis of integration of external aesthetic consciousness, thus to a higher and deeper level.