The Spirit Of The God Of Wine In Pushkin Early Poems

Pushkin is like the Sun in the history of Russian Poem try, whose poems are studied rather deeply and now more and more extensively by the Russian scholars, as well as those who are not. However, there is the little reference to the relation between Pushkin and spirit of the God of wine which has become a weak point in the study of Pushkin.If taking the spirit of the God of wine as the stand, we can analyze and the find out the profound enthusiasm of Dionysus embodied in Pushkin's works written in his earlier writhing career, Pushkin's the spirit of the God of wine can be researched from Hedonism and introspective spirit. Hedonism is originated from an ancient proposition in the spirit of the God of nine, including happily and rerelling spirit. It is embodied in the following three aspects: Pushkin's character of loving drinking and enjoying expressed in his earlier poems, the warm praise to emotion and the passion to opera. Hedonism was rooted in the mind of Pushkin. For the poet is a nobleman, the Russian nationality is naturally close to the alcohol. If hedonism is the concentration of the spirit of the God of Wine the extraction of it is introspective spirit, which derided from the duality of Pushkin himself, as well as the reason of Dionysus and Pushkin. The manifestation for the spirit is Pushkin's consciousness of life. That is, life is transient, so we need to cherish life much better. Though the idea doesn't come into formation in Pushkin's early works, which much more bewilderment is expressed, his marry poems related to the God of wine are prone to introspection. This tendency results from the awakening of the sense of individual tragedy, which enables the poet to understand the essence of introspective spirit, that's, life is a tragedy. As it is, we should go on, so that the tragedy won't lose the grandeur and merriment it enjoys by itself. In the light of Nietzsche's theory, the spirit of the God of Wine's influence, the poet and his poems is directly and morally. Obviously, it also interfere the creation of the poet, actively or passively, implicitly or explicitly.