Comparative Research On Traditional Meticulous Style Of Deep Colors Painting Of Han Nationality And Tibetan Tangka

The meticulous style painting in deep colors of the Han nationality and the Tibetan Tangka Paintings belong to parts of traditional Chinese arts, which influence and infiltrate each other throughout the cultural exchange history between Han nationality and Tibetans. At present, pushing forward by the national and international cultural exchange, renewed vigor is poured into the meticulous style painting in deep colors and Tangka with a vigorous presentation of development. Realizing that colors are taken as the breakthrough of present Chinese paintings, the essay tries to compare and analyze, from the vision of inheriting of tradition and recognition of folk arts, the traditional art production, which are mainly in the forms of hand scrolls of traditional meticulous style painting in deep colors of the Han nationality and the Tibetan Tangka paintings, and to discover the aesthetic features of them, which were shaped in different thoughts and cultures.As for art itself, the development of arts cannot be separated from the interchanging and digesting of cultures. The Han nationality culture's world view of"The nature and man unite as one"takes nature and society, minds and materials, surpass and inner part as a continuous whole matter. Meanwhile, Tangka implies mysterious and great religious color itself. By comparing and analyzing both of them , not only a glimpse of two different aesthetic preferences can be obtained , but can be of great help to have a clear view of important values related to human science, arts ,aesthetics ,and religious literature.The influence by the Han nationality and Tibetan's thoughts and cultures runs through the development and changes of meticulous style painting in deep colors and Tangka Paintings. Under the gradual influences of each nationality's own thoughts and cultures, as well as their inheriting and innovations on the contents and techniques of presentation, both kinds formed their unique features little by little. In terms of visual expressional art , this essay puts forward some personal view on this, by comparing the contents of drawing materials,film compositions,color uses,image buildings of both kinds, and tries to seek for the reasons for those thoughts and cultural distinctions. Moreover, the essay also wants to provide some foundations for academic contend during the process of exploring the theory of painting while going along the road of traditional arts ,as well as to continually innovate,enrich,and better the traditional Chinese national arts.