| Online movie produces in the post-modern cyberspace. The post-modern context has deeply influenced the network audience's aesthetic demand as well as the online movie itself. This thesis mainly discusses the aesthetic context, the manifestation and the artistic features of online movie. It combines many theories, especially the postmodernism.This thesis is divided into four major parts.Part one tries to define the "online movie" which has confused us. It argues that online movie is dedicated to the networks broadcast, and therefore it's a different concept compared with the traditional movie, DV movie, Blog movie.Basing on the postmodernism, part two analyses the network audiences' aesthetic demand, and the manifestation of online movie as well. First of all, online movie is a result of the cinematic art which inclined to various aesthetic demand of the network audience. Secondly, it can be attributed to three main forms according to the aesthetic context.Part three discusses the artistic features of online movie in the post-modern context. At first, the thesis describes the fluid and acentric narrative mode. By doing this, the movie breaks the fixity and the centricity of the traditional narrative. Thus it defuses the movie narrative noble and sacred nature. Secondly, the thesis analyses the interaction of communicating ecology. Online movie uses interactive mode of transmission, in its communication process, the absolute sense of the "bystander" begins to disappear. Also, the thesis discusses the living acceptable manner. Online movie can be written, which leads to it's "living" existence. In course of acceptation, the audience can write, modify, answer or play the movie as he or she likes.Combining the development trend of the network technology, the last part predicts the future for the online movie on the basis of it's history.
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