To study the relation between the Chinese western movie and the literary, we should definitude the the concept of the Chinese western movie first. This text starts with the concept of the Chinese western movie, discusses the relation between the Chinese western movie and the literary after realizing the production survey of Chinese western movie. On one hand, now lots of movie and drama scenarios come from recomposing of the literary works, this relation between literary and movie has become quotidian. To be as two unattached arts, there are nartificial contact and obvious substantial difference between these two arts. Most of western movies also recomposed from literary works(especially novels). In the research of the connection between Chinese western movie and the literary, it was in the remarking on the single text and paid attention to the recomposing literary of single movie in the past, this text discusses the art mode of the Chinese western movie and the western literary on the point of macroeconomics view, and discusses the differences in the process of recomposing the literary to in the point view of subject, character visualize and narrate structural. On the other hand, western movie uses for reference and develops the aesthetics character of literary, the inspirit and the culture of the literature have become the core and substance in the change of the western movie, this humanistic inspirit has been inherited in its coming down and has developped and broken through by western movie. Western movie strengthens the western that is as the literary sign of this zone by its self text languages. It is not only an armchair strategist of theoretics frame in the end of this text which discusses the relation between the Chinese western movie and the literary, but also to make this change between the arts mode become a double win interaction and mutual benefit art creative process. |