The Divesified-Representation Of Chinese Postmodern Color Films

This paper has been selected CITA-Stephen Chow films, Wong Kar-wai film of the debris, the marginalization of the Sixth Generation films in 2006 and the reality of the three themes comedy film with four post-modern style of the film as an example, the study Post-modern thought in the West under the influence of the Chinese version of the film showed the necessity of diversification, and preliminary outline Wuza film culture causes behind the phenomenon.The first part is"a noble and game - to the post-Chow CITA film as an example of modern style."The bulk of the film from the perspective of the film interpreted by the theme of the film, and narrative-time language, as well as some classic scene analysis, the analysis of the film Chow CITA has the diversification of the state.Chow in the film art CITA, secular art, games are post-modern deconstruction of attitude, but these games compared to Western art and modern movies after the game still reserved the art, and it not like some post-modern Western those in the film pessimistic, wanton revelry, disrupts order, deconstruction orthodox, no depth of the show, but a show with"Chinese characteristics"of the game and the lofty status: Video more of a parody on the mechanism to the ancient and modern Chinese and Western traditions familiar deconstruction arbitrary text, so as to achieve the purpose of the game art. But in the game, when the movie in the end will often choose a traditional high return, so that the film reach a resolution and Construction of the case. Narrative time and in the lens languages, in a film is the film follows the basic rules of creating a post-modern style, and their disorderly create a state of confusion and not undermine these basic rules of logic and rationality. In addition, many in the film classic scene, we can see that the traditional Laocoon director for the challenges of law and obey the same time, this also makes it possible for the success of the film in the traditional, modern and post-modern mobile, so as to achieve a pluralistic show.The second part is"broken and the integrity - Wong Kar debris after the modern style of the film as an example".Some of the authors of this research and analysis mirrors language from the film's main creative background and text-such as language, Wong Kar-wai film on the broken and the integrity of the emotion, time, space, then that the film is a post-modern debris flu, modern and pre-modern questioning of nostalgia has multiple conclusions.Wong Kar-wai in Hong Kong as this broken and integrity of the land, modern society mixed cultural space grew up in a confused and efforts to trace the artistic youth, their personal temperament for his"Author film"is the inevitable decision unique to the film and broken the integrity of the complex emotional and time. Debris from the main state of the disappearance, but the exposition can be seen in Wong Kar-wai film of the debris has actually also full of"main"and"a sense of history"at the scene. Wong Kar-wai is a post-modern practice, and the resistance of some post-modern tendencies.The third part is"marginal and the centre–'sixth generation'after the marginalization of the film as an example of modern style."This part of a cultural study, the analysis of the"sixth-generation"video center and edge of the state."Marginalized"only"sixth generation"of the film image, and the"Sixth Generation"director is the real intention of the film so that they become today the Chinese culture of a particular narrative form."Sixth Generation"movie marginalization under the code it is today directed his gaze at the Chinese Culture Center of the expression:Marginal figure reflects China's modernization process; edge posture Metaphor"sixth-generation"directors (contemporary elite intellectuals) of the search for self-identity of the main cultural practices; narrative expressed the edge of this generation and of the traditional inheritance deviated from. Postmodern marginalized code and text strategy,"with a certain number of modern times, can be called the cultural identity of the new enlightenment",a departure from traditional culture and succession, collectively constitute the"Sixth Generation"film Edge Centre and the multicultural show.The fourth part is"a funny and serious - to 2006 after three modern color themes reality comedy as an example".The narrative portion of the Interpretation and Rhetoric, the art of film and a serious condition.In China,"The Road to contain"the country where the parody, such as post-modern collage art style tactics used in the film, despite a certain extent, also played a negative written and the others digestion the role of the text, but the overall look at this post-modern style of the art practices or subordinate to the subject of film realism throughout the film and the traditional moral values. From this point of view, these films are not as a purely western postmodernism film to a thorough deconstruction, these comedy film is only an alternative reality, and then the modern style of art expression but also expand the scope of traditional Chinese Realism means of expression emerged as a serious art and the diversity of the state may be another kind of realism–"the reality of modern color":Here,"the reality of the modern color"is a modification of modified relations,"after"only"reality"of the modified attribute, and absolutely does not mean that the"reality"of the resolution. And the traditional sense of realism in the works as far as possible the actual conduct detailed"shape"the performance of different,"the reality of modern color"like traditional Chinese ink painting in general, and is true to a"quite similar"to describe, art films to reach a serious and the state.The fifth part is the"conclusion".Perhaps in China, is still in the pre-industrial society, but also the need for cultural enlightenment, post-modern style of the film is not the mainstream of Chinese film culture, modern Chinese films of the arduous task. But analysis of these post-modern style of the film, for the development of film culture provide a correct attitude toward foreign culture ideas. In today's globalized world, in the face of many foreign culture, China should integrate their own conditions for using them, transform and critically absorption, due to the conversion of China to open a new imaging part of the landscape.