The Tracing And Thinking Of The Chinese Landscape Painting Pen And Ink Language

pen and ink language is the traditional Chinese painting formulation way and displays a form, the language various handles the technical skill and the appreciation of the beauty norm in the landscape painting formation with developing main current in being more definitely, that landscape painting is Chines painting history being hit by behaviour having contained pen and ink. Painter's mission is to want the language being innovative out belonging to self pen and ink, but wound the prophet is "newly" necessarily "old" , probe out "the new" really only when having had thorough "knowing" to be in the cards just now to the "old friend".The main body of a book is come to open and enlighten our much better exploration the present age context on this account with "history" for the evolution process emphasizing language its shape (formation and the form appear ) and quality (nature attribute and appreciation of the beauty value ) building process middle arriving at "boundary" from "scenery" in past dynasties great master discussing and expounding landscape painting pen and ink gleam, lower pen and ink language.The first chapters begin to come to observe landscape embryonic form in natural mental consciousness of landscape, and rock cave art such as Chinese brick relief and Dunhuang frescoes according to China my deceased people ancient times from the landscape painting being on the rise.Gu Kaizhi, Wang Wei, Zong Bing, and others are landscapes and the separate branches are inseparable, these figures creative activities and theoretical writings in the day Laozhuang thinking of the times together to promote the role of the independent landscape painting, landscape painting ink language for the development and strengthening of the form of a framework and theoretical basis.Second chapters language creation discussing pen and ink with regard to early phase landscape painting techniques of perspectives this one traditional Chinese painting has peculiar import vocabulary room relation with "using a pen ". Come the language main part to look at art with pen and ink creating subjective assurance and abstract induction exercising a go-between to the natural objective world manifestation "wrinkle method " building-up. This is the person materialization to natural spirit appreciation of the beauty. The language expressive power and form category further drive pen and ink, and having expanded appear on "method of the use of ink and water"'s. In the "pen" and both independent and interwovenness language of "ink" system, Chinese has found the best formulation way combining with natural landscape, and "the dirt accumulated on skin going side by side from this building up one package to drape the hemp dirt accumulated on skin " and the "axe wedge" has been that different behaviour south and north geology dirt accumulated on skin representing follows system. To pen and ink, self contains the language construction law concerning as pen and ink while the form displays and the upper appreciation of the beauty value body identifies the technical skill summary having contained not only with with ink. In the practical experience summary that these all embody in prehominid, language self's appreciation of the beauty having formed from this also pen and ink standardizes, it is opening and enlightening future generations inheriting to it and is developing.Come third chapters to set forth pen and ink the inside starting with concrete personage case striving to go deep into to representative scheme development of language. Pen and ink the language expressive power peak having reached it in Song Yuan period, the great master who takes Dong Yuan , Fan Kuan , Tang dynasty as representative in Song Dynasty has built up the appropriate rigorous meticulous but after all rich behaviour vocabulary , Song Dynasty "body thing respectively striving for "Tuzhen" subtly ". Four be headed by the book in Yuan Dynasty with "the yuan picturesque " have strengthened pen and ink greatly the language conscious activity, has made abstract pen and ink US shake off body thing yoke , has gained hitherto unknown independent character, "Shangyi" runs after yuan of person "not seeming that is like ". Under the Dong Qi Chang Ming Dynasty inclination in revivalistic doctrine, spare no effort run after pen and ink lingering charm strives to incorporate it's great achievement , he cleans up pure Would you kindly point out my inadequacies to using ink to win, ", The charm striding over the history individuality had by language originality coming to know pen and ink in Qing dynasty with one of "four monks " Shi Tao and Gong Xian Wei example. The language creativeness carries out Huang Bin Hong to "pen and ink" having let person see pen and ink on boundless vigour and energy contained by language , running after embodying pen and ink composing the quarrel "growing to sincere China" in "five seven ink of" him inner US all together. Li Ke Ran's pen and ink language the sex having demonstrated pen and ink containing and the value that oneself changes establish, the language having demonstrated pen and ink has probed vast field space , he has opened modern landscape painting entrance door.One final chapter basis is that language , the modern are no lack of the mental consciousness "being innovative" probe lower pen and ink of the present age context, but many person insufficiency checks words exactly now fundamental language accomplishment, the art purpose it is need to build distinct language of individuality and the scheme , why do we not make great efforts unceasingly from inheriting , division to tradition pen and ink and the spirit on good luck and the sorption to times culture.