Aesthetical Criticism Of Current Chinese Commercial Movies In The Vision Of Inter-subjectivity

At present, Chinese commercial movies, along with its development, have set up its subjectivity which is different from artistic movies and ideological movies. Aesthetic criticism and study about current Chinese commercial movies is being a new prevalent field. With the exception of Feng Xiao-gang, the Chinese commercial movies have attracted The Fifth Generation director who were considered artistic director formerly .The invest of these movies has mounted up from a low cost to several hundred million. In the new century ,the Chinese commercial movies , Heroes, Ambush from Ten Sides, The Promise, The Night Banquet, Curse of the Golden Flower and so on, composed a conspicuous phenomenon, and got enormous income .At the same time, we are worrying about some movies for its absence of artistic ontology and aesthetic subject. Some critics with the elite consciousness evaluate these movies by a view of pure arts, or give a peripheral criticism from the marvelous spectacles and acoustics, technologism and commercial advertising. Theory of commercial movies which is skin-deep and laggard has affected the composition of the Chinese commercial movies. So, in the article, we will discard aesthetic prejudices and make a study from the theoretical view. Inter-subjective aesthetics will be used to analyse and evaluate current Chinese commercial movies. What is more, persisting in aesthetical transcendence and inter-subjectivity, we will discuss the reconstruction of Chinese commercial movies in the visual field of inter-subjectivity. It will be beneficial to the evolution of Chinese commercial movies.