Comment On "Artistically Depicted To Be Both Real And Unreal" In The Chinese Landscape Painting Development Performance And The Realistic Meaning

Current period, the development of Chinese painting show prosperity situation. With the development of social economy, the general improvement of culture and education level, Chinese paintings are more popular and more prosperous. Endless variety of art exhibitions, new creative team gives birth to a multitude of Fine Arts, the painting subject matter content is extensive, it is abundant and flexible to display the skill and technique, the theory is probed into, academic exchange is various and deep, Chinese painting has more to life. However, under such prosperous major background, some incongruous factors will exist unavoidably, modern society is impetuous with displaying steady and surely in the creation of the painting works directly. In the field of landscape painting, demonstrate there is not any ideological content in more and more works, it is mostly for skill and technique, pen and ink show off, spell at time size than or picture result fetch choose the easy way out very on purpose, why thing some draw and overstate, simple letting it is drawn that people wonder"artistically depicted to be both real and unreal"Becoming the background inducement that this text is being studied too. Do we need sturdy basic training? How to innovate? Problem that has been solving all the time.Current flower-and-bird painting and figure painting field,"artistically depicted to be both real and unreal"ideological content of the excavation and the modern value of the research and development has been reached a considerable height, given the traditional concept of a strong characteristics of the times. This paper attempts to study landscape painting as the main targets, divided into six parts: First,"artistically depicted to be both real and unreal"formulation and development of this aesthetic standard; Second,"artistically depicted to be both real and unreal"is"similar to shape"and relation of unity of opposites"alike in spirit"; Third,"artistically depicted to be both real and unreal"behavior in the Chinese landscape painting ; Fourth,"artistically depicted to be both real and unreal"embodiment on the technique of expression of the Chinese landscape painting ; Fifth,"artistically depicted to be both real and unreal"is both starting point of art and the home of art; Sixth,"artistically depicted to be both real and unreal"Modern Landscape Painting in the practical significance. Among them chapters three, four, six are contents that this text describes especially, through forming and the combing of train of thought of development of the Chinese landscape painting, it is for aestheticses traditional"artistically depicted to be both real and unreal"understanding of meaning of thought, and is"artistically depicted to be both real and unreal"behavior in the Chinese landscape painting of this aesthetic standard and realistic meaning are analyzed.The appearance of the theory is the result that Chinese painting developed into certain stage that " artistically depicted to be both real and unreal ". Meanwhile, its appearance promoted Chinese painting to stride forward conversely. It establishes the style characteristic with original Chinese painting from appearance in most ocular form, and its intension has fully reflected the marrow of China's philosophy idea. Reflecting the card each other of it and other theories of Chinese painting, make the intension of this traditional and old culture of Chinese painting get distillation constantly."artistically depicted to be both real and unreal"as a part of the theory of Chinese painting, it is not a final purpose, the non- only standard, we can say it is only an ordinary one in this garden with hundreds of flowers of Chinese painting. But it, as a theory, a kind of already approved aesthetic value orientation, have already influenced the development of Chinese painting."artistically depicted to be both real and unreal"the absolutely not stiff dogma not changed ,"not like ing"is good if not, not"like"on well. The key to it lies in the assurance of"degree"during"like " and"not like". We should pay attention to drawing the quintessence of traditional culture while employing, based on the national culture, strengthen one's own training, on the basis of inheriting to forefathers outstandingly and traditionally, make higher pursuit to"flavor"and"artistic conception", achieve the goal of crossing and"originally"asking"quality", is innovating constantly, this's the effective way of Chinese landscape painting development. And then guide Chinese landscape painting development into a new stage and height.