The Chinese Tradition Propitious Design Esthetics Studies

A logion of Karl Marx suggested"More ethnical, more global".The information age today, in the advancement which the global economical culture blends, the nationality traditional culture took the design development the soil and the fountainhead, more and more are valued people's. Therefore, the excavation rich national characteristic design language is very important to the Chinese present age design sustainable development. The Chinese propitious design forms gradually in the long developing process, is one kind of unique artistic form which the people creates to pursue the happy life. It has the rich national character artistic form, not pursue the natural image the lifelike facsimile, but takes the structural style the law person or household who refuses to move and bargains for unreasonably high compensation when the land is requisitioned for a construction project and the life feeling, It tries hard through the Chinese language in the unique harmonics to express in the people mind the pursue and the desire,Not only it has the beauty of image, the beauty of form also has one kind of implication, ideal condition and the language is beautiful.The propitious design by its spirited modelling, the bright striking color, the nature plain material and has the decoration extremely using the form the effect, constituted the China traditional culture unique artistic form.Propitious design image infectiousness first displays through its form representation sense organ exaggeration, what it manifests is cannot leave the perceptual form, the iconicity, infectiousness is beautifully the beautiful principal characteristic.Namely in does not violate solicits the function basically under the principle, displays for the shape formula, the brief concise quality, vivid good-looking; Color bright and retinitis simplex; Material quality spontaneous ombustibility and plain.But form factors and so on shape, color, material quality have formed the diverse unification harmony overall esthetic sense in the propitious design design creation according to the beauty of form rule.Not only the propitious design has the mark general characteristic, has takes the artistic mark the emotionality and the symbol.This kind of rich emotion implication causes the propitious design to become the rich subjective image, in which shape implication transmission concentrated expression for each kind of propitious modelling mark utilization and special historical folk custom signifying, the color implication transmission performance likes and the cultural connotation for the tinting with the national characteristic color consistent, writing implication transmission performance for lucky type character utilization and idea enjoyable.The ideal condition is the Chinese nation this ancient nationality community in the different time yearned for with the pursue relatively ideal, the harmonious world lives the beautiful boundary.In the propitious design this kind of ideal condition is not the direct-viewing appearance comes out, but is the implication the deep traditional design cultural perspective and in the philosophy idea which blends in its shape Italy refracts.Concrete manifestation for beautiful friendly concurrently principle, human and natural paragenesis idea, rich enjoyable connotation, lively life affective tone, intense overall rhythm.Aesthetic concept and culture mentality of Chinese traditional propitious design was embodied from sightlines of form to sensibility of imagery and harmony of artistic conception. This thesis analyzed the theoretical value and practical value of Chinese traditional propitious design through a three-level aesthetic study, which offers the extraordinary reference value to modern design. The exploitation of traditional propitious design in modern society and the comparison with modern symbol will be studied following by this study.