Cao Yu's Drama World Of The Survival Of Women Nature

Cao Yu's drama of his creative writing in both periods before and after the epic tragedy of a large number of female image, he is different from other contemporary writers create realistic approach, as well as contemporary and mainstream discourse goes against the ethical humanized Ethics, the concept of love, marriage and so on view at the time of writing the history of Chinese women in environment, the survival of Nature. And in his own adaptation of the 13 plays in the image of these women have a flashing light memorable art, Chinese women to give him more humanistic concern, sympathy and understanding for each image has a unique artistic charm And bright colors. All this with him a wealth of life experience, critical thinking and self-cultivation and advanced language skills are inseparable.He's old social system and the old Feudal system will die out, different social strata and different situation of women suffering and struggling to carry out detailed description. Sing the praises of the original really love and love to criticize the dark and to stimulate people's moral conscience, stirred people's determination to destroy the old society and the will. Cao Yu's drama of the world is a woman full of love in the world. Fan Yi, Chen Bailu, Huajinzi, Su Fang, Si Yi, and so has the art of enduring the typical, although their personalities, different experiences, but their hearts are looking forward to a beautiful dream, even though in the end to all forms of cruel reality . He challenges the male voice in the world, the old social criticism, and even sympathize with the character to criticize the pursuit of the liberation of women striven they show the tragic fate of the real tragedy of their anatomy. The significance of the tragedy of his work is very profound.This article from the four parts of the works of Cao Yu for Nature described the survival of women, mainly from the first part of Cao Yu's awareness of women have to start from the life of the author's social and historical context of this retrospective have a sense of the three major reasons, "WUSI" movement as a Unit flood swept through the ancient land of China, and infiltration of the Chinese people's hearts for a long time has dried up. especially young people, from the promotion of democracy and science "WUSI" new ideas and draw new knowledge, they start thinking about life, destiny, About the future of the misery of living in the lower income groups expressed deep sympathy for their dream of overthrowing the feudal dynasty, the establishment of a democratic regime. Cao Yu's time and attention to the more eyes fixed on the low social status, the most serious enslaving women, reflect the writer's unique talent, it is social factors. His family, his brothers and sisters of the situation, he saw and heard in the daily lives of all of his deposition on women's unique perspective, he boldly carried out the old way and the fate of the Chinese women's issues such as exploration, is in the history of modern China A pioneer in women's liberation.The second part focuses on Cao Yu's drama of the image of women as well as the characteristics of the author writing the way realistic. This part of the writing of this article is the focus of Cao Yu's drama in the world of women Nature of life through the author's realistic technique of writing, from real-life intentions and refining the role of women as well as cut and polish this really embodies the characteristics. In the history of modern literature, Cao Yu was once simply for the social problems under the playwright. In fact, Cao Yu's work has meaning far beyond its own practical problems. This is part of trying to Cao Yu, the shape of the features of the image of women, the structure of the script and its unique approach to the interpretation of his advocacy of the "original" the real connotation, which reveals the Cao Yu's play reflects the fact that the ultimate fate of the human care.The third part was Cao Yu's unique moral ethics, he's the greatest human mind with a profound exploration of human nature and understanding of the combine to reveal the soul of the people of the complexity and richness. Cao Yu's drama is an important factor . The fourth part of Cao Yu's drama is the women's sense of tragedy, Cao Yu for his unique understanding of social reality and feelings, created a department of excellent plays, created a lifelike image of the characters; especially for the women's tragic fate .To give a great deal of concern, to express his great heart warm. Cao Yu's rendering of the image of women, most of them based on semi-colonial and semi-feudal society in China in real life, based on this representation of women from all walks of life tragic fate.Cao Yu described the women image can be divided into three categories: first, by the thought of the new infections, the times of inspiration, the courage to pursue the liberation of personality started to wake up, have begun to rebel awareness of the new capitalist class women, such as Fan Yi, Chen Bailu, Su Fang, Ruizhen and so on. Second, the old China by slavery and abuse of working women, such as Sniping, Si Feng, xiaodongxi, Cui Xi, Huajinzi, and so on. Third, aggressive, treacherous, selfish old woman has become the image of the family, who thought. In these images, the author intentionally or mining female self-consciousness and the awakening of the old thinking of the old tradition of bold treason, and the resulting loss of the depressed state of mind; or efforts to reveal the tragic life of working women; or open old housewife appears to be the head of the powerful mystery that reveals the ethical code than the old women's imprisonment.Based on Cao Yu's rendering on the image of women, the author seeks to explore the unique women have a sense of the root causes, reveals the destruction of feudal ethical code of the female sex under the tragedy, has the feel of the new bourgeoisie rebel awareness of women's awakening, and of course fight hard. Author savor the idea of human nature and moral awareness, women reflect on the survival of the state. Although many female authors to write about the fate of the end result is death, but in the hearts of Cao Yu, they generally do not have the capacity, the image of the status of women, their "love" has enjoyed a high status. Cao Yu will certainly enjoy the pursuit of the initiative is such a love of women, although they have no legal status; he does sing the praises of the love. Their life, such as a flash in the pan, but there is no shortage of the power struggle.Re-read through the text of the paper, re-interpretation of Cao Yu's plays early in the image of women, pre-excavated Cao Yu's plays in a number of different writers from the same period of creative features, that is, by the weak social status of manufacturing, chastity, moral, ethical, etc. And the concept of social and cultural construction of gender differences; use of pen-based writing the survival of the situation of women, fabricated deconstruction people love a good marriage myth of the female anatomy of the real tragedy. Women who have their own well-being of men in charge, only to wake up slowly. Some of the awakening of late, become an inevitable destruction. Wake up early is out of the family's male-fences, but it is difficult to escape the infiltration of men and society as a whole will of the right to order the cage. Cao Yu's moral and ethical concepts, the concept of women, the concept of love and marriage goes against the contemporary mainstream discourse, but the advance. He has a practical significance of creativity and cross-times. He plays the female shows an inevitable tragedy - female private space into public space equal to the male World invasive or involved in, means that undesirable elements, or against, means that the threat of a male and shake the stability of society will inevitably. The men were back, which means would be a dead end, this is the right man in the world live in the inevitable consequences. Cao Yu aware of such a tragedy is the tragedy of gender, not age, it is eternal. Can only rely on self-help, women have the possibility of new life. Therefore, even in the latter part of his liberation and the creation of the late, was not dependent on men to save the image of women.