On The View Of Photoplay And Its Creation Practice Of Chinese Films In New Age

Taking the Chinese films development course of time as the longitudinal axle, this essay discuss the characteristics and varieties of the photoplay view and its creation practice of Chinese Films in different age. The discussion focused on the characteristics and development countermeasure of photoplay view and its creation practice of Chinese films in new age by analyzing the classic cases. This essay used such methors like historical materials arrangement, induction and comparison during the discussion. Thus conclusions are drawn as follows: In order to guide the Chinese films towards the world, we must carry forward national films vigorously. So the traditional photoplay views, which pay attention to audiences and meeting the aesthetic habits and appreciating ways, should not be abandoned.This essay consists of four chapters. Chapter one introduces the research theory, significance, present situation and basic definitions. Chapter two briefly heckles the development process and characteristics of Chinese photoplay views. This chapter divided the Chinese photoplay views into three phases. They are the phase before liberation, the phase of"17 years"and the culture revolution period. At the same time, it analyses and sums up the different characteristics in each period. Chapter three analyzes some classic cases of creation practice on photoplay views in new age. First it focuses on the time background of the new age photoplay views, and then concludes the different photoplay views in different periods by analyzing the works of Xie Jing, Zhang Yimou and Zhang Yang's. Chapter four summarizes the countermeasures of photoplay views in new age from 3 respects including promoting the content of culture and seting up national film concept; composing moving stories and creating the film fascination; enriching the images spectacle and satisfing the audiovisual enjoyment. this essay explore the practical solutions specificly from film idea,film's story and the movie's audio-visual language . The last part of this thesis concludes that an outstanding film creating based on new age photoplay views should combine the narration with the image modeling, merge ideological nature ornamental features and artistic quality into one whole.In a word, the thesis attempts to summarize the creating rules by analyzing plenty of film practice, and offer Chinese films reference to survive and develop in the context of globalization.