Life In Painting And Painting-like Life

Freehand figure painting is one of the special expressing forms of Chinese traditional painting art.Although it began from Tang and Song dynasties,the color pottery and rock painting in New Stone Age already showed the particularity of freehand figure painting --- image modeling."A Vivid Touch" put forward by Gu,Kaizhi in East Jin dynasty established the basis of aesthetics.Hence,the theory of "the presentation of spirit through appearance" and "the combination of appearance and spirit" becomes an important criterion for the creation and evaluation of freehand figure painting.Taking this idea,freehand figure painting enriches and perfects itself in its history of continuous development and transmutation,and gradually forms the particular painting system with eastern verve and attracts people's attention and favor.Combined with the historical developing skeleton of freehand figure painting,the thesis analyzes and hackles the basic language and aesthetic idea that form the freehand figure painting.Simultaneously,it tries to make a dissertation on the problems faced by freehand figure painting and on how to make innovation under the background of contemporary culture from the angle of culturology and anthropology.The thesis brings forward that freehand figure painting of realism should take humanistic spirit as the ideological core and should pay attention to reality,to society,to essential existence of human,and to the value and significance of life.And that we should experience and search for lofty spirit and brightness shining in humanism with profound thoughts and multidimensional perspectives,so that we can realize the situation of plural creation of freehand figure painting and recast the spirit stature of freehand figure painting of realism in contemporary era.