On The Contemporary Situation Of Silksreeen Print

Duchamp is based on modern art as a product of the concept of reality, reality itself as a concept that the material is refined into works of art, and photography of the plane is now finished, with the three-dimensional imaging language to the two-dimensional is now finished finished the conversion is finished Dushanbe is the expansion of the concept art. Compared with traditional painting, photography can not be demonstrated by the expression of painting, photography expression of the reality of context.Image is finished and use of large quantities of force now in photography and painting, traditional means of painting in an awkward position between the intergovernmental. Screen technology with photography and photographic successive invention, the invention of photography achieved the black box on the end of the automatic mapping of the composition remains, and the realization of a photosensitive screen images language to the maximum extent for painting a conversion. The article first part of the main features of Serigraphs, Pierced version of the characteristics and the characteristics of Serigraphs screen technology to print the contribution of three major components.Some of the main articles of the second language in the image of Serigraphs, through a large number of charts image language, screen painting language and the basic characteristics of the three languages to illustrate the use of imaging in Serigraphs language advantage.·such as Andy Warhol to make full use of images, use of technology to screen pictures of small quantities of duplication and printing, to achieve a photographic image of the paper to the canvas from the practice of conversion as an example, so that we see the machinery images and paintings done by a variety of experiments, showing no details and color photos, but after painting the subjective-processing, retained the original image, the image of the screen and have a real and close. Image-prints fully embodies the characteristics of the reality of photography as a Context. At the same time, the conversion technology through the screen, leaving behind traces of the manual processing of the screen so that the mechanical images with painting experience. Screen printing features and picture mutual complementation and constituted a very expressive art form.The third part of the article focuses on the contemporary context Serigraphs. Mesh technology Rongjin photographic digital technology, photographic images and screen technology on the impact of creative ideas, images in Serigraphs after the application of the right to rethink the concept of prints, prints the concept of the universal characteristics of the three-part analysis was extended . The article in the print disciplines in the development of many new issues to ponder.The article pointed out that conclusion: contemporary electronic technology and digital technology represented by the visual culture, so deeply dominate the mindset of the people, under the current context of any kind of painting are facing a variety of challenges and opportunities, and make full use of contemporary Serigraphs image resources , borrowing photography, the new digital technology, the means to screen performance variability, and greatly facilitate the play, had a relatively independent of the language of expression patterns, with a variety of line with the development of the times and progress of superiority. Images of the records were Serigraphs life function well into painting language. Screen become reality in the image of the conversion of the most handy for painting the painting, not only embodies some of the technical requirements, but also demonstrates the inherent value of a painting that is the real essence of the art of performance life.