Color Order

Modern fine Brushwork Painting in Heavy Color, rooting in Chinese traditional culture and traditional heavy-colored ink painting, is a very important part of thousand-year China painting traditions. For traditional heavy-colored ink painting, its main status in society was gradually replaced by water-color painting of intellectuals after the experience of artistic peak in Tang and Song Dynasty, and the expressiveness of color thus suffered great oppression no mater in traditional aesthetic tastes or technical expressiveness of intellectuals or painters, which contributed to the lack of color expressive force. With the introduce of western culture, the open-up to the outside world and the frequent cultural exchanges in modern time, Chinese painters have accepted the advancement of western art and learned methods of increasing color expressive force from different school of oil painting. Modern Japanese painting became the pioneer and model of the integration of Eastern arts with western arts when it went through study of western art and reform of its own and formed unique Japanese painting, so it has referential significance for Modern fine Brushwork Painting in Heavy Color.The necessary road and direction of development of Modern fine Brushwork Painting in Heavy Color lies in digging and reflecting of the color expressive force of traditional Chinese painting, maintaining traditional aesthetic core, learning methods and law of color expressive force of western oil painting and borrowing successful case of modern Japanese painting. This article dedicates to exploring a new road of increasing the color expressive force of Modern fine Brushwork Painting in Heavy Color.