| Changde Han Opera discussed in this thesis especially refers to a big and local drama whose development centered on the Changde,Taoyuan, Hanshou and Cili county in Hunan provinc. Changde Han Opera includes three acoustic cavity,such as high-pitched tunes,elastic tunes,and kunqiang . Now elastic tune prevails in the Changde Han Opera.Through carding the related materials and combined with the fieldwork research, this dissertation has used the method that is related to ethnomusicology such as anthropology and folklore methods to reveal the history of Changde Han Opera objectively and truly ,the background in each history period and the music ontology character of Changde Han Opera. Through discussion about Changde Han Opera group's constitution and its survival way, I try my best to unfold the civil music form's constitution rules, Changde Han Opera group's survival condition in grass-root society and its destiny in today's political, economical and cultural environment and and gets a conclusion: there is a close relation between the actors and this kind heatre genres's existence ,inheritance,commnication. The actors play a very important role in the development of Changde Han Opera.Music is the part of culture, people always use , spread and develop their music art according to their cultural traditions.Through the research intoChangde Han Opera, we can see that it embodies the local own cultural proceedings and people's spirit mettle. In a sense, we can say that it is the local culture polyer. When the traditions of changde han opera face to modern society , the author claims allowing its development by conversation. I believe that this disstation can make people know changde han opera comprehensively and objectively, then give attention to it. I also hope the disstation can give some references to followed people who will research the Changde Han Opera. |