Contemporary Traditional Chinese Fine Brush Painting Of Flowers And Birds In The Ba Shu

During the Five Dynasties and the Two songs,in the Ba Shu Traditional Chinese fine brush painting of flower-bird field,it appears a large number of artists who paint this type of pictures, Huang Quan and his son,are the representatives among them.They are active in court at that time. It has great influence on the nation's Traditional Chinese fine brush flower-birds painting's style. After the literati painting rose,Ba Shu Traditional Chinese fine brush painting was gradually losing its leading role.Along with the establishment of new China,people's cerebration has been liberated and western painting has great effect on Chinese traditional painting.Ba Shu welcome its new development opportunities.Ba Shu Traditional Chinese fine brush flower-bird painting fully develop the open and compatible characteristic in its culture,it keeps learning and forging ahead. They grasped the new concept of painting and take the drawing skills into the creation of their own.It employs a bold innovation in the aspects of drawing language 'materials and contents which shows the multidimensional characteristic of the overall style of Ba Shu.Firstly,the paper gives an introduce to the influence of geography and culture on the artistic style of Ba Shu Traditional Chinese fine brush flower-bird painting.Moreover,it states the historical origin and background of this kind of painting,and then analyzes the influence of paintings by the court painting and literati painting,represented by Huang Quan and his son,Zhao Chang and Su Shi respectively,on the artistic style of Ba Shu Traditional Chinese fine brush flower-bird painting.Then setting the fine brush flower-bird painting in Sichuan and Chongqing since the founding of PRC as the research subjects,it summarizes several main artistic styles of contemporary,fine brush flower-bird painting,and reveals the diversity of this kind of paintings based on analyzing and summarizing different paintings.In conclusion,it emphasizes that Chinese fine brush painting of flowers and birds is in the state of preliminary period with extent achievements since the transition period,the art is expressing the content of living and esthetic value orientation which are extent,difficult,complex and diverse,and meanwhile,it proposes the demands in the new age for the development of Ba Shu Traditional Chinese fime brush painting and flowers and birds painting.The exploration of contemporary artistic of Ba Shu Traditional Chinese fine brush flower-bird painting aims at causing the academic concerns,and make up the shortcoming of its research.It is in favor of the development of Ba Shu Traditional Chinese fine brush flower-bird painting appear in Chinese painting with a unique artistic style.