An Analysis On Traditional Opera Written By Opera Writers From Shanxi Province In Yuan Dynasty

This paper studies the opera Rhyme situation in all the works written by Yuan Dynasty Shanxi opera writers ,which have been handed down. By contrast music scores and Parallelism Qupai the same song set rhyme corners and the framework is the Department of nineteen rhyme in Central Plains phonological.we inspected all the works written by Yuan Dynasty Shanxi opera writers and the all attributions of different rhyme between the Department of rhyme each other encumbered Phenomenon, and through compared with the opera writers of internal Shanxi and compared with the non-national opera writers of the external, summarized the 255 Qu Yun role of the similarities and differences, then that the writer of Shanxi Opera Rhyme's overall characteristics, combined with dialect the evolution of the situation in its brief analysis done. Based on the above study, we also conclude the enter-intonation words in Zhongyuan phonological period and made our own views that the enter-intonation words has disappearedin the Central Plains phonological period.The innovation lies in this area by the song-and a corpus of the exhaustive analysis of previous research will focus on multi-Yun Qu Yuan Dynasty Four and a number of minority writers of the corpus works to expand the scope of choice, small-known writer and Their works reflected the use of rhyme to the whole situation into the Shanxi writers who used to rhyme in the study, Qu Yun not only enrich the research materials, but also for the Study of Modern Music has provided some strong evidence.