Theme Of Nobody's Survival Difficult Position And "Ontology Of The Image" Aesthetics Style

In the ten years,from 1997 to 2006,Mr.JiaZhangke wrote 5 long film works:"Xiao Wu","Platform","Ren xiao yao","The World","Still Life".In these works,he locked his eyes on nobody's survival difficult position of hometown from the beginning to the end.He created new on-the-spot report movies by"Ontology of the Image",which is a aesthetics lens language he used,distinguishing from those made in 20 centuries.My thesis mainly discusses Mr.JiaZhangke's reflection and creation in the literary film field of on-the-spot report style through two parts——the content of survival difficult position and the"Ontology of the Image"aesthetics form.Each part was analyzed in 3 aspects seperately.The first part,the content analysis include: firstly, the film's major character is nobody of hometown; secondly, concrete analysis of nobody's survival difficult position of hometown from time changes and family changes, including matter difficult position and spirit difficult position, and nobody's double tragedy about staying or leaving hometown; finally, content defect of JiaZhangke's film, including the fragmental recording method, unitary creation visual angle,figure's single depiction. The first part's main innovation is the third aspect.The second part,the form analysis consists of three dimensions.Firstly,the film's visual and hearing aspect experiments about"Ontology of the Image"in the view of the cinema aesthetics,the unique development of the"Ontology of the Image"——the metaphor constructure reflecting reality but surpassing the reality——this is the other innovation of my thesis.Secondly,the two stages of digital technique's application on the basis of"Ontology of the image".Thirdly,the discussion about witness attitude behind the"Ontology of the Image"aesthetics style and the lackness of over-experience creat .