Study Of Music Aesthetic Taste

Taking advantage of the achievement of theology, arts, history, sociology, aesthetic, and Aesthetic Psychology, this article place s savor into music aesthetic, making an Overall, the dynamic, organic exploration of the concept of interpretation, formation mechanism, value judgments of music aesthetic and its cultivation and improvement. Through the integrated analysis and master, the article tries to spy the development of music aesthetic in human society and different historical phases ,thus getting a clear definition of aesthetic from sensual terms to music aesthetic .In the aesthetic activity of music, music aesthetic process mechanism formed through fusion and interaction of the main function of interest and object information , mainly argues excellent views about the relationship of diversity and individual standards of music aesthetic by different philosophers, artists and musicians in Western periods, the affirmation of the base of universal interest and the standard of interesting uniformity based on it. The form is Real Music Aesthetic. Finally, it argues how to cultivate and improve it in the practical music aesthetic course. The conclusion is that the music aesthetic based on auditory perceptual experience is in need of reasonable analysis. About the study, the writer doesn't expect to make an overall explanation or form a system, but give some enlightenment in the development of the musical arts study.While studying the activity of music aesthetic around the interest issues, it is necessary to differ from the predecessors. It is a aesthetic practical problem that pays great attention to the interrelationship of one's interest and social history. The study not only broadens the horizon of musical arts ,but also further places the problem into the situation of integration of history , psychology and social surroundings , making us aware of the real great significance of the combination of sensual experience and reasonable analysis. It is thus in this consciousness, the author ,unlike the predecessors who are always in the limit of senior fun and junior fun, puts forwards that the study of interest should be combined with reasonable analysis to find the final goal--Real Music Aesthetic.This thesis includes two chapters. The first chapter chiefly explicates the deep meaning the concept of the taste of music aesthetics based on a brief survey on its meaning shifting trace, especially the meaning shifting from sensation terminologies to aesthetic judgmental terminology.The second chapter applies the methodology of aesthetic psychology to analysis the formation displace of the aesthetic taste in music between the interaction of subject's function and the information of object. And then the thesis proves different characteristics and relationships in the formation of the taste in music aesthetics. This is one of the theoretical basis of the value judgment theory in the taste of music aesthetics.The conclusion points out that the study of music aesthetic should not only consider the subject's physical and psychological conditions, but it is also necessary to analyze the real elements of the social history. Sensual experience as well as reasonable analysis is in need. With the premise of the unity of the subject and the object, it is possible to realize the importance of auditory sensual consciousness while judging the music aesthetic, at the same time affirm the assistant role of reasonable analysis and refusing bias. Real Music Aesthetic combining the solid consolidation of sensual music aesthetic phenomena with reasonable analysis will help realize and better understand many problems in the practical activities, thus making it possible to manipulate effectively the judgments of music aesthetic and practice based on it.