Font Size: a A A

Pu Cunxin Study On The Role Of Creative Arts

Posted on:2010-01-22Degree:MasterType:Thesis
Country:ChinaCandidate:J J BiFull Text:PDF
GTID:2155360278960246Subject:Film
Abstract/Summary:PDF Full Text Request
Pu Cunxin was born in Beijing in 1953. From an early age by his father, a well-known actors, directors Sumin influence on the performances have a strong interest. In 1969 as a young intellectuals to take part in Heilongjiang Production and Construction Corps. 1977 "Cultural Revolution" The End Back to Beijing, admitted to the space G Repertory Theater. 1987 formally transferred to the Beijing People's Art Theater since.Pu Cunxin for decades the dozens of participating drama, created "Thunderstorm", "Li Bai" "Architecture Master," "Bailuyuan" "Greater Portland General Kou flow", etc different characters in the image. Were obtained twice Wenhua Award and the Plum Blossom Award. He also "The Last Aristocrats" "Qingliangsi bell" "Lu Xun" "hero no regrets" and so many plays the lead role of the Department of Television, and by virtue of "a bright moon" the role of access to movies as well as TV Golden Eagle Award.The innovation of this paper is: to study the role of creative arts for the purpose. Actor Pu Cunxin study stage in the drama created by a number of roles, and co-director Lin Zhaohua a new creative way to play the role of actor. Life, freedom, relaxation, development of the main actors on the stage with the audience to build the new role of the exchange was born. Television drama performances and the difference between film and television performances to explore the changes in Pu Cunxin and turning.Divided into three chapters of this thesis to study the role of actors in the creation of the theory and practice of creative results.First, the life of Pu Cunxin fraternity. Pu Cunxin this chapter from the study of art and artistic background of the road starting on the role of the actors involved in the scope of creative research, and Pu Cunxin interpret the life and values, based on the mentality of the actors combined with research on the role of creative methods and Pu Cunxin sort out characteristics .Secondly, the freedom of Pu Cunxin arena. This chapter discusses the role of stage art creation, concept generation Pu Cunxin performance environment and concrete practice of the performing arts through the performing arts of his personal experience, analysis of representative works, understand the director Lin Zhaohua Pu Cunxin and the combination of freedom, Pu Cunxin Lin Zhaohua Drama accept creative concepts and the role of change process. And repertoire representative for a number of text analysis and found that in view of Pu Cunxin performance to external factors, as well as his actors to play the role of creative freedom.Third, the screen where the Pu Cunxin lucky. Television as a film actor is fate play opportunities, the production of a film actor Pu Cunxin the front of the camera to achieve the creative dream of performing to explore film and television drama and the differences between theater performances, film and television as an actor Pu Cunxin performances in constant pursuit of his new role creative performances, and explore more creative aspects of the actor performing methods. Analysis of this chapter in order to work for ways to combine the role of performers in the creation of change and development, summarize experience Pu Cunxin to cast the role of creative thinking and artistic studies reviewed.
Keywords/Search Tags:Role in creation, Pu Cunxin, Drama, Film and television
PDF Full Text Request
Related items