From Traditional To Modern Formations Rock Garden

In the process of modernization, the traditional culture, in what manner that continuity and heritage, and to play a role in modern culture, has always been a rich cultural tradition of the countries had to face. In this regard, the first to enter Japan as a modern country in the East, no doubt let the world recognized and has made amazing achievements. From the Meiji Restoration, they have always been able to absorb Western civilization in a wide range of nutrition at the same time, be able to preserve and develop their own traditional culture and always be able to integrate the two, thereby creating both modern and has its own culture and flavor of the new the cultural style.In this paper, public art perspective, the Japanese public in the environment or the formations of modern stone carving (in stone as a medium of landscaping) as the theme to explore the development of public art in Japan is how Western modern art, especially abstract art under the influence of step by step to get out out, showing another style of a modern form of mental or intrinsic characteristics of Japanese culture works. In this paper the first trace of traditional Japanese culture, the culture has the connotation of rock and, through its ancient stone landscaping masterpiece that is "dry landscape" as a starting point to analyze the motives and methods of its landscaping. At the same time the public through modern Japanese artists of the modern Japanese Shi successful case studies, explore the existence of a link between the two. Through analysis, the answer is yes. Japan's modern public art has been able to show a Japanese character, with its ancient formations with the traditional there is an intrinsic correlation, or the creation of the modern formations flowing from traditional genes. It is precisely this gene, the achievements of modern formations that have the characteristics of Japanese art.So what makes this kind of public art in Japan have access to their own cultural identity, in creating awareness and the main body to return to their own spiritual and cultural traditions, this article believes that this will undoubtedly come from the Japanese cultural identity Shiran. On the other hand, China today is entering the process of modernization, public art in the reform and opening up has made rapid development, at the same time, the ancient Chinese has a rich tradition of fine art Shi, and not to mention large-scale Buddhist caves and stone ramps, far as the abstract means that the content has a profound classical garden style landscaping stone, it is breathtaking, and China's Shi culture in ancient Japan also formed a profound impact. Then, in the contemporary, these outstanding heritage and culture is how can the development of modern public art in China, to create a modern formations whether the ancient traditions with a link, its quality and how? To this end, this paper aimed at Beijing in the formations of modern public art works conducted an investigation in order, to identify problems, explore ways to address these issues and put forward improvement measures. And to seek from the cultural study of comparative sense, through the Japanese public art related to formations created by the analysis and study can explore with the enlightenment of modern public art and draw meaningful ways.