The Different Performance Versions Of Pamina's Aria "Ach, Ich Fühl's"

The thesis studies the different performance versions of Pmina's aria" Ach, ich fuhl's", from Mozart's opera"Die Zauberflote".The opera"Die Zauberflote" is created by W.A.Wolfgang Amadeus Mozart (1756-1791) in 1791,and it is also the last opera of Mozart.Therefore,it reflects the composer's wisdom and talent. Pmina's aria"Ach, ich fuhl's"is the one.Depending on the vivid character and the beautiful melody,this aria has to be the repertoire for many musicians,and they also recorded numerous of excellent CD and DVD versions.Although there are many domestic studies for this aria and the opera, but most of them focused on singing disposal or image-building,and few come down to analyze the different performance versions of the same aria. In order to comprehend and perform this aria roundly and deeply, the author choose three performance versions to do intensive research which are recorded by Kathleen Battle,Lucia Popp,and Julia Kleiter. These versions are complimented both domestic and abroad.These musicians succeeded in image-building of Pmina,and they also left us deep impression and set a good example for us.The article can be divided into four chapters:Chapter One introduces the composing backgrounds and the scenario of opera"Die Zauberflote".Chapter Two discusses three musicians'stories and singing styles, and also generalizes the interrelated performance versions.Chapter Three analyzes the three performance versions of Pmina's aria"Ach, ich fuhl's".This chapter begins with the aria's musical style and combining the features of the three musicians,which include their voices, singing skills and characters,discusses the image-building in five aspects which are tempo,strength,rhythm,language and body movement.Chapter Four is based on the analysis of the three musicians, discusses the basic principles of the second creation.