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The Aesthetic Of Animation Art

Posted on:2011-02-12Degree:MasterType:Thesis
Country:ChinaCandidate:G Y HuFull Text:PDF
GTID:2155360305973054Subject:Aesthetics
Abstract/Summary:PDF Full Text Request
In this paper, animation art study were from the literary aesthetic of consumer psychology, the classical aesthetic theory and cultural context and other public point of view to analyze domestic and foreign classic animation, classic animation art of trying to draw the structure has a unique aesthetic charm and nostalgia, tragedy, and rave of the three faces to show animated text narrative art of the aesthetic paradigm of tension and depth of thinking.Chapter outset to be a clear definition of animation art, based on the historical development of the arts of animation to do a simple study, a preliminary explanation of basic scientific principles of animation art. Sectionâ…¡of this chapter focuses on the animation art research status, and support the current national animation industry development environment, the animation art theory of hysteresis phenomenon and put forward his views.Chapter from literary aesthetic psychology of consumers start to explore the art of animation from the beginning why the great importance attached to the imagination and the nostalgia of pandering. Nostalgia in modern animation art performance is particularly full, natural recovery of the original and mysterious, the subject and an important part of performance is represented by the kind of childhood emotional world and beauty. Animation art fully displayed within the field of modern art and aesthetics of new style, embodies the aesthetics of traditional arts and innovative. So animation art is nostalgic for a moment of such socio-cultural landscape and aesthetic needs of the public. In modern animation art, whether it is "re Home", "return self" or "return to tradition", "return" in the film as the ultimate goal of all efforts. Thus, it is because the animation art of their own artistic language and art features, making animation and nostalgia can be a combination of depth and perfection.The third chapter in the tragic sense of classical aesthetics, tries to find out the animation art aesthetic paradigm Narrative tension and depth of support points of thinking. Fantasy art animation and deformation of nature does not seem appropriate to create a strict sense of the tragedy, but in many animation works reflect a sense of the tragic and the tragedy and the creator has a sense of the tragedy, are irrefutably tell people animation art often be put on the face of tragedy. "Hunchback of Notre Dame" to the original "Hunchback of Notre Dame," the theme of promoting good and the beautiful deeper into humanity's struggle and resistance, in the fierce conflict in the character of a tragic sense of faintly heard. "Lion King" more to Shakespeare's famous tragedy "Hamlet" in the Characters in tragedy vividly the role of replacement done.Chapter IV starting from the public to reveal the cultural context of the other faces the art animation-"Carnival." When the "Carnival" has become a unique world view and artistic way of thinking, the strength of popular culture as the representative of animation art, will inherit the "carnival" in the mantle, with a "carnival" characteristics. Animation art by surrealist fantasy and exaggeration of arbitrary deformation of the art techniques, demonstrated the value of the love of freedom and equality and respect; dare to challenge authority, no dogma, eager to change the spirit of renovation; on the earth's vitality is rooted praise and celebration of the life on the return of sensibility. No doubt you can see it and the spirit of carnival is a different connotation chose the same form, their spirit remains the same.
Keywords/Search Tags:Animation, Nostalgia, Tragedy, Carnival
PDF Full Text Request
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