Guilin Moldova Stone Cliff Theory Of "Baguishufeng" Wind Up The Historical Value

At present, the status on Guilin Cliff research at home and abroad can be slightly summarized as follows: The basic research such as Collected, cataloged, Search Series stone inscriptions. The comprehensive study. The Project, applied research .The Guilin Cliff research had a richer foundation at a certain degree. The Guilin cliff face carved stone, however, and relations the calligraphy art researcher and the research results is actually extremely rare. It also continued to be initiative in the initial stage, let alone the deep research of the structure and the system of Guilin Cliff. In particular ,the research on the relations between the Guilin Cliff carving and creating a"Baguishufeng"are almost vacancies.The pond is like a mirror, because it has the source of flowing water. Combing and analysing the traditional calligraphy resources of Guilin Cliff and the study on"Baguishufeng"historical value are the researchers' present most immediate reality.In order to foster"formed a geographical calligraphy style"atmosphere, to make the building of"BaGuiShuFeng""back to the history source", this essay combs some work of the history and related cultural information of the Tang and Song dynasties .While Guilin local calligraphers during the Tang and Song gave birth, initiate and grow to make this piece of the vast expanse of red earth imbued with a rich cultural atmosphere. What makes the art of calligraphy contests and brilliant is the calligraphers who moves exiles it to pass through from Guilin and the government official living abroad, such as Zhang Jiuling, Li Shangyin, Zhou Dunyi, Cheng Hao, Cheng Yi, Zhao Shishu, Xu Mengxin, and Liang Anshi ect..In their lasting rhythm"three forces"of Poems and Singing, the calligraphy and painting scrolls written , Guilin foster large numbers of local artists of the literati, such as Cao Ye, Zhao Guanwen, Wang Shize, Ouyang Pi, Mao Zizhi and so on. during this glorious period, while the local literati, local calligraphers have gradually grown up.To create"Baguishufeng"cultural brand and explore the Guangxi regional art of calligraphy, to explore the calligraphy style different from other regions, to make the"Lijiang River school of painting"and"Literature Guangxi"become another culture and the arts of Guangxi brand. The consensus has been formed in Guangxi calligraphy circle.Mr. Pan Qi, points out in his work"the originali exploration of'Baguishufeng'", The so-called"Baguishufeng"that the study was to investigate Bagui calligrapher ,calligraphy style, style, grace, etc., it is a regional calligrapher group concept , that is , the calligraphers living and working in Guangxi, engaged in the practice of calligraphy art influenced by Guangxi natural environment, human environment and living environment, influenced by the local culture and national culture , forming a kind of art of calligraphy to pursue the same objectives and the psychological similarities aesthetic calligraphy, calligraphy and philosophy is similar to the values of the same art of calligraphy style, called"Baguishufeng".The idea of"Baguishufeng"is put forward after suming up Guangxi calligraphy, drawing conclusions and refining. This innovative formulation has important cultural value and practical significance.The Tang and Song Dynasties Calligraphy remains on Guilin Cliff with distinct characteristics, significantly and strong representation in the Guilin calligraphy history are rich and great, it is the miniature of Tang and Song Dynasties calligraphy movement. Guilin traditional calligraphy resources , thus, are the calligraphy development of the Guangxi. It is the most important basic work to recognize these great significance in the resources of creating"Baguishufeng", to explore its way nowdays to create"Baguishufeng"calligraphy theory and creative transformation of of resources, approaches, to explore its meaning and value of construction of"Baguishufeng".During Tang and Song Dynasties , the culture atmosphere of Guilin and even Guangxi is export-oriented, it had a strong culture of open. Especially embodied in the development of calligraphy.There are many calligraphy author in Tang Dynasty who were influnced by Guilin culture, such as Chu Sui-liang, Yuan Jie, Zheng Shuqi, HanFangming, Li Bo,Yuan Hui etc. Even though some people had not been to Guilin, but their calligraphy was there in Guilin. for example Li Yi, Yan Zhenqing, Han Qiushi, Liang Yangbing, Liu zongyuan etc. there were also some activities of the calligrapher and left part monuments in other parts of Guangxi, such as Shen Chuanshi. That thing of Song Dynasty is more prosperous,than that of Tang Dynasty. There were some calligraphers who had been to Guilin named Liu Kai, Wu Yi, Guan Qi, Zeng Bu, Huang Tingjian, Mi Fu, Wang Fan, Sun Di, Li Zi, Fan Chengda, Zhang Xiao xiang, Zhu Xiyan,Chen Dang, Fang Xinru, Ke Dengdi, Chen Kongshuo etc. There were some people who had not been to Guilin, but their calligraphy was remained in Guilin. There were so Many calligraphers like this and their work also had high qualities. Such as Shi Yannian, Cai Jing, Mi Youren, Zhao Ji, Zhao Gou, Lu You, Fang Shiyao, Liu Shenji and so on. There were some calligraphers who moves exiles it to pass through from Guilin and the government official living abroad, these famous artists are Du Shuyuan, SiMa Guang, Su Shi, Shi Wei etc.. Above all, by the large number of calligraphers listed above who had been to Guilin and by the works those calligraphers left , we know that the most significantly and prominent feature of Guangxi or Guilin calligraphy development since Tang and Song Dynasty is her strong culture of openness---her entire culture atmosphere is opened.Those calligraphers who had been to Guilin in Tang and Song Dynasty and their remained works was coming to become an importment part Local territory calligraphy tradition Chinese cinnamon of brigade book family and the organic part of local calligraphy tradition in Guilin because of the different society flow direction."Baguishufeng"nowadays are working orderly and in the same direction. They went out to absorb other people's strengths, They are bringing up the running modern"Baguishufeng"The sea accepts all kinds of river , has rong to be indeed big. The formation and development of a regional history and culture, must not be isolated and closed. It must, unceasingly, get in touch and fuse with the periphery and outside culture . It must have a big broad kind of containing nature and the opening to the outside world, come to admit outside culture on this account outstanding person. In order to increase nutrition , grow largely, and be maturing well. This probably is that Guilin cliff the enlightenment that the precipice calligraphy develops. This probably is the most meaningful values that Guilin cliff enlightens the calligraphy develops to"eight, groundless Chinese cinnamon book"structure.Measures of whether an area of calligraphy flourished not only in its open minded, tolerant calligraphy lessons findings derived from outside the region's strengths, but also more important to be able to export their own art of calligraphy. This is what the concept of open-ended calligraphy should mean.