The Study On One-satirize Act Opera In Middle And Later Periods Of Ming Dynasty

In the middle and later periods of Ming dynasty,the northern opera under the influence of social environment and social thought, absorbed the advantages of Song and Jin Dynasty opera's humor and short, reformed a series of drawbacks. Specific performance:system from four fold become single fold, and Ironically rhetoric, flexible music. It broke through song and dance, birthday, god, love of content. To make opera have a word of warning, to persuade the new features. The new system is called One-satirize act opera in middle and later periods of Ming dynasty. One-satirize act opera's unique art form and artistic achievements of the Ming Dynasty made a contribution to the prosperity. However, many people know very little about it. What are the reasons? What kind of situation about structure, version and content? This paper tries to solve it.There are preface, body and conclusion three parts in this dissertation.In the preface, the dissertation illustrates the reason of choosing this topic, research statues of One-satirize act opera, origin of the name of One-satirize act opera, and it generally divides the middle and later periods of Ming dynasty.The body is been divided into four parts.First one is analysis of One-satirize act opera's formation reason. They are social environment, train of thought and the opera's self reason.Second one is analysis of the opera's existing quantity and editions. Based on many authoritative materials, it inspects the work quantity of One-satirize act opera's writer in middle and later periods of Ming, gives us a general knowledge of the existing One-satirize act opera.Third one is analysis of the theatrical productions of One-satirize act opera. This part focuses on the substance and art of ironic character in the opera.Forth one is individual research of the opera. Based on previous researches, the dissertation emphasizes on Huang Fangru and his Mo Hua Xuan Zaju and hopes to find the orbit of One-satirize act opera in middle and later periods'Ming dynasty. The conclusion summarizes the achievements, and the status of the One-satirize act opera.