Semyonov's Three "Capriccio" Research

Today on the international accordion music, as a musical instrument the accordion are increasingly favored by the world. People around the world use the accordion to convey their countrys'long history and culture to the world. as a national musical instrument Russian accordion plays an important role in the world. Because its manufacturing process is beautiful and the tone is mellow, it attracts a number of accordion enthusiasts. With the growth of professional accordion, accordion players and composers are also increasing. They use a special accordion sound and its own rich musical skills to present the subtlety of these pieces of musical instruments. Among the many musicians the Russian Viacheslav Semyonov is an excellent performer, composer and educator. his work is not only wide range of genres, including orchestra, Rhapsody, Caprice, Concerto, etc., but Style is bold, distinctive personality, and performance techniques varied, so his works are favorite in the accordion community, and many of his works are the designated track in the international and domestic competition. he has made outstanding contributions in accordion development of the arts.Semyonov's three "Capriccio" were created at different times and were three different styles of work, although the three films as a genre are Capriccio, but the use of the subject matter is not the same. The first piece of music written in 1990, as the absolute music, in this song he used a large number of non-Concorde sound, changed the tone of the rhythm and complexity of modal, so we can see the inner contradictions and depressed composer. Different from the first song, and the second song for the title track - "SOS - Rescue," which is the composer in 2000 commemorated Russia's nuclear submarine Keske for the victims and it is a narrative piece. The third piece of music is also a title music, but it is different with the second, which painted landscape. This work entitled "POLAR LIGHTS". The whole song is using an accordion variable damper and a variety of playing techniques, in order to show the audience a picture of a beautiful music. This thesis will be five parts to study and discuss the three "Capriccio".The first part is the purpose and significance of the main topics from the domestic and international research status and development trend.The second part is the Semenov's life and styles of the nationalist elaborated in accordion performance in order to work a more in-depth understanding. This section is divided into two sections. section I is the composer's life and achievements Introduction; Section II describes the works of Semenov in the accordion-style embodied nationalism characteristics.The third part is in musical ontology analysis and summarizes from the micro and macro perspective. At the macro aspects: First, summarize creative background and intentions of the three "Capriccio"; briefly introduce the characteristics of Capriccio; and finally, briefly summarize features of the title music and no title music. At the micro aspects: First, the paper is in the overall musical form structure analysis, and secondly, analyse the three "Capriccio" in a detailed in-depth from a harmony, musical form, modal tonal, melodic texture, rhythm and beat. This is the core of the paper, but also at the focus analysis.The fourth part is 3 "Capriccio" essentials playing techniques and performance analysis, is divided into three sections. Section one: the use of common playing techniques and performance essentials analysis; Section two: Special playing techniques used in playing essentials analysis; Section three: Music color changes in the use of performances. For a more detailed description of playing essentials, in the first section, separately from the fast running your fingers to maintain a consistent sound performances, staccato and my hands with his musical skills playing chords with both hands alternating four aspects of explanation; in the second section, discribe the buffeting wind box, scraping keys, percussion illustrate three aspects of the keyboard. In the final section, by changing the use of silencers and extreme range of the expansion, show accordions band-oriented, and interpret Color changes in the playing of music.The fifth part is the conclusion, and expatiates 3 "Capriccio" research value.